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Today's Stichomancy for Mao Zedong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herland by Charlotte Gilman:

We three had a chance to join a big scientific expedition. They needed a doctor, and that gave Jeff an excuse for dropping his just opening practice; they needed Terry's experience, his machine, and his money; and as for me, I got in through Terry's influence.

The expedition was up among the thousand tributaries and enormous hinterland of a great river, up where the maps had to be made, savage dialects studied, and all manner of strange flora and fauna expected.

But this story is not about that expedition. That was only the merest starter for ours.

My interest was first roused by talk among our guides. I'm


Herland
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

wild dogs are on it, with one long, smooth spring, as though unwounded and unhurt, he turned and disappeared into the grass. It closed behind him; but as he went the twigs and leaves cracked under his tread.

The Captain threw back the door of his tent. "Who is there?" he cried.

Peter Halket stood below the tree with the knife in his hand.

The noise roused the whole camp: the men on guard came running; guns were fired: and the half-sleeping men came rushing, grasping their weapons. There was a sound of firing at the little tree; and the cry went round the camp, "The Mashonas are releasing the spy!"

When the men got to the Captain's tent, they saw that the nigger was gone; and Peter Halket was lying on his face at the foot of the tree; with his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pierre Grassou by Honore de Balzac:

following:--

510. Grassou de Fougeres (Pierre), rue de Navarin, 2. Death-toilet of a Chouan, condemned to execution in 1809.

Though wholly second-rate, the picture had immense success, for it recalled the affair of the "chauffeurs," of Mortagne. A crowd collected every day before the now fashionable canvas; even Charles X. paused to look at it. "Madame," being told of the patient life of the poor Breton, became enthusiastic over him. The Duc d'Orleans asked the price of the picture. The clergy told Madame la Dauphine that the subject was suggestive of good thoughts; and there was, in truth, a most satisfying religious tone about it. Monseigneur the Dauphin

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

silence. During this dreadful night misery had led her to that patient resignation which in mothers and loving wives transcends in its effects all human energy, and perhaps reveals in the heart of women the existence of certain chords which God has withheld from men.

An inscription engraved on a broken column in the cemetery at Montmartre states that Madame de Sommervieux died at the age of twenty-seven. In the simple words of this epitaph one of the timid creature's friends can read the last scene of a tragedy. Every year, on the second of November, the solemn day of the dead, he never passes this youthful monument without wondering whether it does not need a stronger woman than Augustine to endure the violent embrace of genius?