Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

contrive the injury of the traffic in pardons.

74. But much more does he intend to thunder against those who use the pretext of pardons to contrive the injury of holy love and truth.

75. To think the papal pardons so great that they could absolve a man even if he had committed an impossible sin and violated the Mother of God -- this is madness.

76. We say, on the contrary, that the papal pardons are not able to remove the very least of venial sins, so far as its guilt is concerned.

77. It is said that even St. Peter, if he were now Pope, could

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

fecissent, in provinciam exirent atque inde in Italiam contenderent [, praesertim cum Sequanos a provincia nostra Rhodanus divideret]; quibus rebus quam maturrime occurrendum putabat. Ipse autem Ariovistus tantos sibi spiritus, tantam arrogantiam sumpserat, ut ferendus non videretur.

Quam ob rem placuit ei ut ad Ariovistum legatos mitteret, qui ab eo postularent uti aliquem locum medium utrisque conloquio deligeret: velle sese de re publica et summis utriusque rebus cum eo agere. Ei legationi Ariovistus respondit: si quid ipsi a Caesare opus esset, sese ad eum venturum fuisse; si quid ille se velit, illum ad se venire oportere.

Praeterea se neque sine exercitu in eas partes Galliae venire audere quas Caesar possideret, neque exercitum sine magno commeatu atque molimento in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

brought it in at nine o'clock. Victurnien's furniture had been seized, but he slept none the less. After he came back from the Opera, he and the Duchess had gone to a voluptuous retreat, where they often spent a few hours together after the most brilliant court balls and evening parties and gaieties. Appearances were very cleverly saved. Their love-nest was a garret like any other to all appearance; Mme. de Maufrigneuse was obliged to bow her head with its court feathers or wreath of flowers to enter in at the door; but within all the peris of the East had made the chamber fair. And now that the Count was on the brink of ruin, he had longed to bid farewell to the dainty nest, which he had built

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

silence, attraction as well as fear, the family hearth or the open country. Treachery was everywhere, but it was treachery from conviction. The people were savages serving God and the King after the fashion of Red Indians. To make this sketch of the struggle exact and true at all points, the historian must add that the moment Hoche had signed his peace the whole country subsided into smiles and friendliness. Families who were rending each other to pieces over night, were supping together without danger the next day.

The very moment that Commandant Hulot became aware of the secret treachery betrayed by the hairy skins of Marche-a-Terre, he was convinced that this peace, due to the genius of Hoche, the stability

The Chouans