Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mariah Carey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

hobgoblins which their nurses have talked to them about. But, in my view of the matter, the dragon is merely a pretty large serpent, who is not half so likely to snap me up at one mouthful as I am to cut off his ugly head, and strip the skin from his body. At all events, turn back who may, I will never see Greece again, unless I carry with me the Golden Fleece."

"We will none of us turn back!" cried his nine and forty brave comrades. "Let us get on board the galley this instant; and if the dragon is to make a breakfast of us, much good may it do him."

And Orpheus (whose custom it was to set everything to music)


Tanglewood Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber:

Tuesdays. We'll start here with the misses' an' children's, and work over to the other side."

Whereupon Louie was introduced into the intricacies of the sample shoe business. He kept his eyes resolutely away from the V, and learned many things. He learned how shoes that look like six dollar values may be sold for two-fifty. He looked on in wide-eyed horror while Sophy fitted a No. 5 C shoe on a 6 B foot and assured the wearer that it looked like a made-to-order boot. He picked up a pair of dull kid shoes and looked at them. His leather-wise eyes saw much, and I think he would have taken his hat off the hook, and his offended business principles out of the shop forever if Sophy


Buttered Side Down
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

stands still. It is like young corn troubled by the shadows of hawks when she moves. The pearls on her tunic are like many moons.

FIRST MAN. They are like the moons one sees in the water when the wind blows from the hills.

SECOND MAN. I think she is one of the gods. I think she comes from Nubia.

FIRST MAN. I am sure she is the daughter of the Emperor. Her nails are stained with henna. They are like the petals of a rose. She has come here to weep for Adonis.

SECOND MAN. She is one of the gods. I do not know why she has left her temple. The gods should not leave their temples. If she speaks

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the Sleeper Wakes by H. G. Wells:

the puny remains of Victorian times, and cable ways slanted to them from the city. That winter day they seemed deserted. Deserted, too, were the artificial gardens among the ruins. The city limits were indeed as sharply defined as in the ancient days when the gates were shut at nightfall and the robber foreman prowled to the very walls. A huge semi-circular throat poured out a vigorous traffic upon the Eadhamite Bath Road. So the first prospect of the world beyond the city flashed on Graham, and dwindled. And when at last he could look vertically downward again, he


When the Sleeper Wakes