Today's Stichomancy for Mariah Carey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The War in the Air by H. G. Wells:

cleared, more of such ships appeared in the blue through the dissolving clouds, and more, all disdainfully free of guns or armour, all flying fast to keep pace with the running fight below.

From first to last no gun whatever was fired at the Vaterland, and only a few rifle shots. It was a mere adverse stroke of chance that she had a man killed aboard her. Nor did she take any direct share in the fight until the end. She flew above the doomed American fleet while the Prince by wireless telegraphy directed the movements of her consorts. Meanwhile the Vogel-stern and Preussen, each with half a dozen drachenflieger

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

But I can sit perfectly well under the porch, so please say no more about it.'

He looked at her again, with his wicked blue eyes.

'Why,' he began, in the broad slow dialect. 'Your Ladyship's as welcome as Christmas ter th' hut an' th' key an' iverythink as is. On'y this time O' th' year ther's bods ter set, an' Ah've got ter be potterin' abaht a good bit, seein' after 'em, an' a'. Winter time Ah ned 'ardly come nigh th' pleece. But what wi' spring, an' Sir Clifford wantin' ter start th' pheasants...An' your Ladyship'd non want me tinkerin' around an' about when she was 'ere, all the time.'

She listened with a dim kind of amazement.

Lady Chatterley's Lover

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

"This is most horrible!" said Mrs. Walker, turning away and addressing herself to Winterbourne. "Elle s'affiche. It's her revenge for my having ventured to remonstrate with her. When she comes, I shall not speak to her."

Daisy came after eleven o'clock; but she was not, on such an occasion, a young lady to wait to be spoken to. She rustled forward in radiant loveliness, smiling and chattering, carrying a large bouquet, and attended by Mr. Giovanelli. Everyone stopped talking and turned and looked at her. She came straight to Mrs. Walker. "I'm afraid you thought I never was coming, so I sent mother off to tell you.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from New Arabian Nights by Robert Louis Stevenson:

are you not in danger?"

"Mr. Northmour says you are an honourable man," she returned, "and I believe it when I see you. I will tell you so much; you are right; we are in dreadful, dreadful danger, and you share it by remaining where you are."

"Ah!" said I; "you have heard of me from Northmour? And he gives me a good character?"

"I asked him about you last night," was her reply. "I pretended," she hesitated, "I pretended to have met you long ago, and spoken to you of him. It was not true; but I could not help myself without betraying you, and you had put me in a difficulty. He praised you