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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

their lyres and wander singing in a plaintive band down the long corridors of trees; pale fires echo the night from tower top to tower: Oh, sleep that dreams, and dream that never tires, press from the petals of the lotus flower something of this to keep, the essence of an hour. No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. Here, Heraclitus, did you find in fire and shifting things the prophecy you hurled down the dead years; this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.


This Side of Paradise
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

that of Touchstone, with quips, and cranks, and witty devices, very often delivered extempore. It is not easy to trace how he became possessed of his black vizard, which was anciently made in the resemblance of the face of a cat; but it seems that the mask was essential to the performance of the character, as will appear from the following theatrical anecdote:--

An actor on the Italian stage permitted at the Foire du St. Germain, in Paris, was renowned for the wild, venturous, and extravagant wit, the brilliant sallies and fortunate repartees, with which he prodigally seasoned the character of the party- coloured jester. Some critics, whose good-will towards a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Verses 1889-1896 by Rudyard Kipling:

Fine, clear an' dark -- a full-draught breeze, wi' Ushant out o' sight, An' Ferguson relievin' Hay. Old girl, ye'll walk to-night! His wife's at Plymouth. . . . Seventy -- One -- Two -- Three since he began -- Three turns for Mistress Ferguson. . .and who's to blame the man? There's none at any port for me, by drivin' fast or slow, Since Elsie Campbell went to Thee, Lord, thirty years ago. (The year the ~Sarah Sands~ was burned. Oh roads we used to tread, Fra' Maryhill to Pollokshaws -- fra' Govan to Parkhead!) Not but they're ceevil on the Board. Ye'll hear Sir Kenneth say: "Good-morrn, M'Andrew! Back again? An' how's your bilge to-day?"


Verses 1889-1896
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

swords. Tom Porter asked him if he were ready, and hearing he was, they fought desperately, till of a sudden a sharp cry was heard; Sir Henry's weapon fell upon the ground, and he placed one hand to his side, from which blood flowed freely. Then calling his opponent to him, he looked in his face reproachfully, kissed him lovingly, and bade him seek safety. "For, Tom," said he, struggling hard to speak, "thou hast hurt me; but I will make shift to stand upon my legs till thou mayest withdraw, and the world not take notice of you, for," continued he, with much tenderness, "I would not have thee troubled for what thou hast done." And the little crowd who had gathered around carried him