| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson: rarely carried farther. I chanced to pick up the TALES OF A
TRAVELLER some years ago with a view to an anthology of prose
narrative, and the book flew up and struck me: Billy Bones,
his chest, the company in the parlour, the whole inner
spirit, and a good deal of the material detail of my first
chapters - all were there, all were the property of
Washington Irving. But I had no guess of it then as I sat
writing by the fireside, in what seemed the spring-tides of a
somewhat pedestrian inspiration; nor yet day by day, after
lunch, as I read aloud my morning's work to the family. It
seemed to me original as sin; it seemed to belong to me like
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dreams by Olive Schreiner: the dream I had had. And I fell asleep again, with my head on my saddle.
And in the fierce heat I had another dream.
I saw a desert and I saw a woman coming out of it. And she came to the
bank of a dark river; and the bank was steep and high. (The banks of an
African river are sometimes a hundred feet high, and consist of deep
shifting sands, through which in the course of ages the river has worn its
gigantic bed.) And on it an old man met her, who had a long white beard;
and a stick that curled was in his hand, and on it was written Reason. And
he asked her what she wanted; and she said "I am woman; and I am seeking
for the land of Freedom."
And he said, "It is before you."
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant: possible. When the rice-cream was brought in, he nearly had a
fit, and groaned with greediness. Gontran called out to him: "You
have eaten too much already; you will have no more." And they
pretended not to give him any. Then he began to cry--cry and
tremble more violently than ever, while all the children laughed.
At last, however, they gave him his helping, a very small piece.
As he ate the first mouthful of the pudding, he made a comical
and greedy noise in his throat, and a movement with his neck like
ducks do, when they swallow too large a morsel, and then, when he
had done, he began to stamp his feet, so as to get more.
I was seized with pity for this pitiable and ridiculous Tantalus,
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Just Folks by Edgar A. Guest: In the service of their country and to keep the flag on high;
There are brave men in the trenches, there are brave men on the sea,
But the silent, quiet heroes also prove their bravery.
I am thinking of a hero that was never known to fame,
Just a manly little fellow with a very common name;
He was freckle-faced and ruddy, but his head was nobly shaped,
And he one day took the whipping that his comrades all escaped.
And he never made a murmur, never whimpered in reply;
He would rather take the censure than to stand and tell a lie.
And I'm thinking of another that had courage that was fine,
And I've often wished in moments that such strength of will were mine.
 Just Folks |