| The first excerpt represents the past or something you must release, and is drawn from Burning Daylight by Jack London: But at the roar of laughter that greeted his inversion, Bettles
released the bear-hug and turned fiercely on them. "Laugh, you
mangy short-horns, laugh! But I tell you plain and simple, the
best of you ain't knee-high fit to tie Daylight's moccasin
strings.
Ain't I right, Campbell? Ain't I right, Mac? Daylight's one of
the old guard, one of the real sour-doughs. And in them days
they
wa'n't ary a steamboat or ary a trading-post, and we cusses had
to
live offen salmon-bellies and rabbit-tracks."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young: breathed so softly and so quickly--just so!
And they read on her little white night-gown the words written with
the linen thread: ``Bessie Bell.''
And they said: ``Let us take this little girl with us.''
They put a big soft white blanket around the little girl and walked
out of the big house with her, someone carrying her in strong arms.
And the big white cat got down off the big white bed and rubbed
himself against the bedpost, and went round and round the bed-post,
and rubbed himself round and round the bed-post.
And the tiny little girl never saw the big house, or the big soft
white cat any more.
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The third excerpt represents the future or something you must embrace, and is drawn from Merry Men by Robert Louis Stevenson: yet indistinct and lisping tones, that had already baffled the
utmost niceness of my hearing from her son. I answered rather at a
venture; for not only did I fail to take her meaning with
precision, but the sudden disclosure of her eyes disturbed me.
They were unusually large, the iris golden like Felipe's, but the
pupil at that moment so distended that they seemed almost black;
and what affected me was not so much their size as (what was
perhaps its consequence) the singular insignificance of their
regard. A look more blankly stupid I have never met. My eyes
dropped before it even as I spoke, and I went on my way upstairs to
my own room, at once baffled and embarrassed. Yet, when I came
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