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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the past or something you must release, and is drawn from Almayer's Folly by Joseph Conrad:

Behind them Ali moved noiselessly laying the table, ranging solemnly the ill-assorted and shabby crockery, the tin spoons, the forks with broken prongs, and the knives with saw-like blades and loose handles. He had almost forgotten how to prepare the table for white men. He felt aggrieved; Mem Nina would not help him. He stepped back to look at his work admiringly, feeling very proud. This must be right; and if the master afterwards is angry and swears, then so much the worse for Mem Nina. Why did she not help? He left the verandah to fetch the dinner.

"Well, Mr. Almayer, will you answer my question as frankly as it is put to you?" asked the lieutenant, after a long silence.


Almayer's Folly
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and Peace by Leo Tolstoy:

many men. (Poniatowski's action against Utitsa, and Uvarov's on the right flank against the French, were actions distinct from the main course of the battle.) So the battle of Borodino did not take place at all as (in an effort to conceal our commanders' mistakes even at the cost of diminishing the glory due to the Russian army and people) it has been described. The battle of Borodino was not fought on a chosen and entrenched position with forces only slightly weaker than those of the enemy, but, as a result of the loss of the Shevardino Redoubt, the Russians fought the battle of Borodino on an open and almost unentrenched position, with forces only half as numerous as the French; that is to say, under conditions in which it was not merely


War and Peace
The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy:

When a strong woman recklessly throws away her strength she is worse than a weak woman who has never had any strength to throw away. One source of her inadequacy is the novelty of the occasion. She has never had practice in making the best of such a condition. Weakness is doubly weak by being new. Bathsheba was not conscious of guile in this matter. Though in one sense a woman of the world, it was, after all, that world of daylight coteries and green carpets wherein cattle form the passing crowd and winds the busy hum; where a quiet family of rabbits or hares lives


Far From the Madding Crowd