| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Phoenix and the Turtle by William Shakespeare: Either was the other's mine.
Property was thus appall'd,
That the self was not the same;
Single nature's double name
Neither two nor one was call'd.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.
That it cried how true a twain
Seemeth this concordant one!
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Prufrock/Other Observations by T. S. Eliot: Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"--
If one, settling a pillow by her head,
Should say: "That is not what I meant at all;
That is not it, at all."
And would it have been worth it, after all,
Would it have been worth while,
Prufrock/Other Observations |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Inland Voyage by Robert Louis Stevenson: partridge and cabbages, became a new thing in my eyes at the Golden
Sheep; and many subsequent dinners have bitterly disappointed me in
consequence. Sweet was our rest in the Golden Sheep at Moy.
LA FERE OF CURSED MEMORY
WE lingered in Moy a good part of the day, for we were fond of
being philosophical, and scorned long journeys and early starts on
principle. The place, moreover, invited to repose. People in
elaborate shooting costumes sallied from the chateau with guns and
game-bags; and this was a pleasure in itself, to remain behind
while these elegant pleasure-seekers took the first of the morning.
In this way, all the world may be an aristocrat, and play the duke
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Critias by Plato: enclosure of gold, and there was Poseidon's own temple, which was covered
with silver, and the pinnacles with gold. The roof was of ivory, adorned
with gold and silver and orichalcum, and the rest of the interior was lined
with orichalcum. Within was an image of the god standing in a chariot
drawn by six winged horses, and touching the roof with his head; around him
were a hundred Nereids, riding on dolphins. Outside the temple were placed
golden statues of all the descendants of the ten kings and of their wives;
there was an altar too, and there were palaces, corresponding to the
greatness and glory both of the kingdom and of the temple.
Also there were fountains of hot and cold water, and suitable buildings
surrounding them, and trees, and there were baths both of the kings and of
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