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Today's Stichomancy for Mark Twain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of Unrest by Joseph Conrad:

. . . Near . . . So! In my ear! I felt him near . . . His breath passed over my neck. I leaped out without a cry. All about me men slept quietly. I ran to the sea. He ran by my side without footsteps, whispering, whispering old words--whispering into my ear in his old voice. I ran into the sea; I swam off to you, with my kriss between my teeth. I, armed, I fled before a breath--to you. Take me away to your land. The wise old man has died, and with him is gone the power of his words and charms. And I can tell no one. No one. There is no one here faithful enough and wise enough to know. It is only near you, unbelievers, that my trouble fades like a mist under the eye of day."


Tales of Unrest
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polly of the Circus by Margaret Mayo:

deep, steady voice of the pastor reading aloud in the pretty window overhead was company. She would often climb the stairs to tell them some bit of village gossip, and leave them laughing at a quaint comment about some inquisitive sister of the church, who had happened to incur her displeasure.

As spring came on, Douglas carried Polly down to the sun-lit garden beneath the window; and Mandy fluttered about arranging the cushions with motherly solicitude.

More days slipped by, and Polly began to creep through the little, soft-leaved trees at the back of the church, and to look for the deep, blue, sweet-scented violets. When she was able,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Letters by Robert Louis Stevenson:

from Lord Pembroke. If I have time as I go through Auckland, I am going to see Sir George Grey.

Now I really think that's all the business. I have been rather sick and have had two small hemorrhages, but the second I believe to have been accidental. No good denying that this annoys, because it do. However, you must expect influenza to leave some harm, and my spirits, appetite, peace on earth and goodwill to men are all on a rising market. During the last week the amanuensis was otherwise engaged, whereupon I took up, pitched into, and about one half demolished another tale, once intended to be called THE PEARL

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

could discriminate. The sky was simply darkness overhead; even the flying clouds pursued their way invisibly to human eyesight. I could not distinguish my hand at arm's-length from the track, nor my goad, at the same distance, from the meadows or the sky.

Soon the road that I was following split, after the fashion of the country, into three or four in a piece of rocky meadow. Since Modestine had shown such a fancy for beaten roads, I tried her instinct in this predicament. But the instinct of an ass is what might be expected from the name; in half a minute she was clambering round and round among some boulders, as lost a donkey as you would wish to see. I should have camped long before had I been