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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac:

the place d'Armes and going as far as the pottery market. This irregular square is filled with poor-looking houses crowded one against the other, and divided here and there by streets so narrow that two persons cannot walk abreast. This section of the town, a sort of cour des Miracles, was occupied by poor people or persons working at trades that were little remunerative,--a population living in hovels, and buildings called picturesquely by the familiar term of "blind houses." From the earliest ages this has no doubt been an accursed quarter, the haunt of evil-doers; in fact one thoroughfare is named "the street of the Executioner." For more than five centuries it has been customary for the executioner to have a red door at the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac:

were between himself and God.

"Come, march on!" he added. "If you sit still you are lost."

"How can I, Philippe? It is an old magisterial habit to sit still. On my honor! I'm tired out-- If I had only killed a hare!"

The two men presented a rather rare contrast: the public functionary was forty-two years of age and seemed no more than thirty, whereas the soldier was thirty, and seemed forty at the least. Both wore the red rosette of the officers of the Legion of honor. A few spare locks of black hair mixed with white, like the wing of a magpie, escaped from the colonel's cap, while handsome brown curls adorned the brow of the statesman. One was tall, gallant, high-strung, and the lines of his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Extracts From Adam's Diary by Mark Twain:

Rapids in a fig-leaf suit. It got much damaged. Hence, tedious complaints about my extravagance. I am too much hampered here. What I need is change of scene.

Saturday

I escaped last Tuesday night, and travelled two days, and built me another shelter, in a secluded place, and obliterated my tracks as well as I could, but she hunted me out by means of a beast which she has tamed and calls a wolf, and came making that pitiful noise again, and shedding that water out of the places she looks with. I was obliged to return with her, but will presently emigrate again, when occasion offers. She engages herself in many foolish things:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

Dorothy walked over and patted the Woozy on his square head.

"You're not pretty," she said, "but I like you. What are you able to do; anything 'special?"

"I can make my eyes flash fire--real fire--when I'm angry. When anyone says: 'Krizzle-Kroo' to me I get angry, and then my eyes flash fire."

"I don't see as fireworks could help Ojo's uncle," remarked Dorothy. "Can you do anything else?"

"I--I thought I bad a very terrifying growl,"


The Patchwork Girl of Oz