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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Montezuma's Daughter by H. Rider Haggard:

me and a gorgeous captain's dress to wear. But what pleased me better was a chain shirt which came from the body of a Spanish cavalier. For many years I always wore this shirt beneath my cotton mail, and it saved my life more than once, for even bullets would not pierce the two of them.

I had taken over the command of my archers but forty-eight hours, a scant time in which to teach them discipline whereof they had little, though they were brave enough, when the occasion came to use them in good earnest, and with it the night of disaster that is still known among the Spaniards as the noche triste. On the afternoon before that night a council was held in the palace at


Montezuma's Daughter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain:

Y.M. You are not in earnest, I hope. You cannot mean to seriously say there is no such frontier.

O.M. I do say it seriously. The instances of the horse, the gull, the mother bird, and the elephant show that those creatures put their this's and thats together just as Edison would have done it and drew the same inferences that he would have drawn. Their mental machinery was just like his, also its manner of working. Their equipment was as inferior to the Strasburg clock, but that is the only difference--there is no frontier.

Y.M. It looks exasperatingly true; and is distinctly offensive. It elevates the dumb beasts to--to--


What is Man?
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

bookseller has a dozen or a score of works on sale for a twelvemonth before he pays for them. Even if only two or three of these hit the public taste, the profitable speculations pay for the bad, and the publisher pays his way by grafting, as it were, one book upon another. But if all of them turn out badly; or if, for his misfortune, the publisher-bookseller happens to bring out some really good literature which stays on hand until the right public discovers and appreciates it; or if it costs too much to discount the paper that he receives, then, resignedly, he files his schedule, and becomes a bankrupt with an untroubled mind. He was prepared all along for something of the kind. So, all the chances being in favor of the publishers, they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Inn by Honore de Balzac:

lights, seemed to me to have altered its character; it had certainly grown ghastly; violet tones were spreading over it; you might have thought it the cadaverous head of a dying man. Motionless as the personages painted on a diorama, his stupefied eyes were fixed on the sparkling facets of a cut-glass stopper, but certainly without observing them; he seemed to be engulfed in some weird contemplation of the future or the past. When I had long examined that puzzling face I began to reflect about it. "Is he ill?" I said to myself. "Has he drunk too much wine? Is he ruined by a drop in the Funds? Is he thinking how to cheat his creditors?"

"Look!" I said to my neighbor, pointing out to her the face of the