| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pagan and Christian Creeds by Edward Carpenter: lights represent the five senses. Just as camphor consumes
itself and leaves no residue behind, so should the five senses,
being offered to the god, consume themselves and disappear.
When this is done, that happens in the soul which was now
figured in the ritual--the God is revealed in the
inner light.[1]
[1] For a more detailed account of this Temple-festival, see
Adam's Peak to Elephanta by E. Carpenter, ch. vii.
We are familiar with this parting or rending of the veil.
We hear of it in the Jewish Temple, and in the Greek and
Egyptian Mysteries. It had a mystically religious, and also
 Pagan and Christian Creeds |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: Besides, the moon disappeared then, and left us in total darkness.
At last this long night passed. My indistinct remembrance
prevents my describing all the impressions it made.
I can only recall one circumstance. During some lulls of
the wind and sea, I fancied I heard several times vague sounds,
a sort of fugitive harmony produced by words of command.
What was, then, the mystery of this submarine craft,
of which the whole world vainly sought an explanation?
What kind of beings existed in this strange boat?
What mechanical agent caused its prodigious speed?
Daybreak appeared. The morning mists surrounded us,
 20,000 Leagues Under the Sea |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Time Machine by H. G. Wells: violently in and out among the moonlit bushes all round the
sphinx, and startling some white animal that, in the dim light, I
took for a small deer. I remember, too, late that night, beating
the bushes with my clenched fist until my knuckles were gashed
and bleeding from the broken twigs. Then, sobbing and raving in
my anguish of mind, I went down to the great building of stone.
The big hall was dark, silent, and deserted. I slipped on the
uneven floor, and fell over one of the malachite tables, almost
breaking my shin. I lit a match and went on past the dusty
curtains, of which I have told you.
`There I found a second great hall covered with cushions, upon
 The Time Machine |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Prince by Nicolo Machiavelli: the victory easy; but if you wish to hold it afterwards, you meet with
infinite difficulties, both from those who have assisted you and from
those you have crushed. Nor is it enough for you to have exterminated
the family of the prince, because the lords that remain make
themselves the heads of fresh movements against you, and as you are
unable either to satisfy or exterminate them, that state is lost
whenever time brings the opportunity.
Now if you will consider what was the nature of the government of
Darius, you will find it similar to the kingdom of the Turk, and
therefore it was only necessary for Alexander, first to overthrow him
in the field, and then to take the country from him. After which
 The Prince |