Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Montezuma's Daughter by H. Rider Haggard:

from its loop I gave the puma battle, striking a blow upon his head that rolled him over and caused the blood to pour. In a moment he was up and at me roaring with rage. Whirling the wooden sword with both hands I smote him in mid air, the blow passing between his open paws and catching him full on the snout and head. So hard was this stroke that my weapon was shattered, still it did not stop the puma. In a second I was cast to the earth with a great shock, and the brute was on me tearing and biting at my chest and neck. It was well for me at that moment that I wore a garment of quilted cotton, otherwise I must have been ripped open, and even with this covering I was sadly torn, and to this day I bear the marks of the


Montezuma's Daughter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

PROTARCHUS: Certainly.

SOCRATES: And whereas the high and low, the swift and the slow are infinite or unlimited, does not the addition of the principles aforesaid introduce a limit, and perfect the whole frame of music?

PROTARCHUS: Yes, certainly.

SOCRATES: Or, again, when cold and heat prevail, does not the introduction of them take away excess and indefiniteness, and infuse moderation and harmony?

PROTARCHUS: Certainly.

SOCRATES: And from a like admixture of the finite and infinite come the seasons, and all the delights of life?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

but rub the lamp, like Aladdin, and have their needs satisfied.

The Parents' Intolerable Burden

There is nothing new in this: it is how children have always had and must always have their needs satisfied. The parent has to play the part of Aladdin's djinn; and many a parent has sunk beneath the burden of this service. All the novelty we need is to organize it so that instead of the individual child fastening like a parasite on its own particular parents, the whole body of children should be thrown not only upon the whole body of parents, but upon the celibates and childless as well, whose present exemption from a full share in the social burden of children is obviously unjust and unwholesome. Today

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedrus by Plato:

debatable and undisputed class of subjects. In the debatable class there ought to be a definition of all disputed matters. But there was no such definition in the speech of Lysias; nor is there any order or connection in his words any more than in a nursery rhyme. With this he compares the regular divisions of the other speech, which was his own (and yet not his own, for the local deities must have inspired him). Although only a playful composition, it will be found to embody two principles: first, that of synthesis or the comprehension of parts in a whole; secondly, analysis, or the resolution of the whole into parts. These are the processes of division and generalization which are so dear to the dialectician, that king of men. They are effected by dialectic, and not by rhetoric, of which