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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

From strangely fashioned harps slow golden tones he wrung.

I think the singing understands That he who sang is still, And Iseult cries that he is dead, -- Does not Dolores bow her head And Fragoletta weep and wring her little hands?

New singing now the singer hears To lyre and lute and harp; Catullus waits to welcome him, And thro' the twilight sweet and dim, Sappho's forgotten songs are falling on his ears.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

we are," and sat down on the step on either side of her. Of course, that would have been a remarkable thing for some teams to do, but not for this one, for, as you can guess, they were just two little people, Mabel and Rudolph, but they were a perfect team all the same; everybody said so, and what everybody meant was this--that whatever Rudolph "was up to," Mabel was "up to" also, and vice versa. They traveled together finely, right "up on the bit" all the time. It would have been easier for those who had charge of them if one or the other had held back now and then, and set a slower pace, but as that was not their nature and could not be helped, everybody tried to make the best of them, and everybody loved them. Tattine did not see how she could ever have lived without them, for they were almost as much a brother and sister to her as to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Death of the Lion by Henry James:

end that day, and in the evening he asked me to remain with him the rest of the week and over the Sunday.

That night my manuscript came back from Mr. Pinhorn, accompanied with a letter the gist of which was the desire to know what I meant by trying to fob off on him such stuff. That was the meaning of the question, if not exactly its form, and it made my mistake immense to me. Such as this mistake was I could now only look it in the face and accept it. I knew where I had failed, but it was exactly where I couldn't have succeeded. I had been sent down to be personal and then in point of fact hadn't been personal at all: what I had dispatched to London was just a little finicking

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adieu by Honore de Balzac:

and nestling into its tufted top, she watched the stranger with the inquisitive attention of the forest birds.

"Adieu, adieu, adieu," she said, without the soul communicating one single intelligent inflexion to the word.

It was uttered impassively, as the bird sings his note.

"She does not recognize me!" cried the colonel, in despair. "Stephanie! it is Philippe, thy Philippe, PHILIPPE!"

And the poor soldier went to the acacia; but when he was a few steps from it, the countess looked at him, as if defying him, although a slight expression of fear seemed to flicker in her eye; then, with a single bound she sprang from the acacia to a laburnum, and thence to a