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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Arabian Nights by Robert Louis Stevenson:

freely; but do not, O do not! let him ask me to countenance so terrible a risk."

"Colonel Geraldine," replied the Prince, with some haughtiness of manner, "your life is absolutely your own. I only looked for obedience; and when that is unwillingly rendered, I shall look for that no longer. I add one word your: importunity in this affair has been sufficient."

The Master of the Horse regained his feet at once.

"Your Highness," he said, "may I be excused in my attendance this afternoon? I dare not, as an honourable man, venture a second time into that fatal house until I have perfectly ordered my affairs.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato:

treats facts. For the scene must be supposed to have occurred between B.C. 424, the year of the battle of Delium, and B.C. 418, the year of the battle of Mantinea, at which Laches fell. But if Socrates was more than seventy years of age at his trial in 399 (see Apology), he could not have been a young man at any time after the battle of Delium.

LACHES, OR COURAGE.

by

Plato

Translated by Benjamin Jowett

PERSONS OF THE DIALOGUE: Lysimachus, son of Aristides.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of Man by Oscar Wilde:

creation, Mr Irving, had his sole object been to give the public what they wanted, could have produced the commonest plays in the commonest manner, and made as much success and money as a man could possibly desire. But his object was not that. His object was to realise his own perfection as an artist, under certain conditions, and in certain forms of Art. At first he appealed to the few: now he has educated the many. He has created in the public both taste and temperament. The public appreciate his artistic success immensely. I often wonder, however, whether the public understand that that success is entirely due to the fact that he did not accept their standard, but realised his own. With their standard

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In a German Pension by Katherine Mansfield:

who shrugged his shoulders.

"What! you don't call it splendid!"

"As you please," said the landlord, obviously scorning us.

"Such a beautiful walk," said Fraulein Elsa, making a free gift of her most charming smile to the landlady.

"I never walk," said the landlady; "when I go to Mindelbau my man drives me--I've more important things to do with my legs than walk them through the dust!"

"I like these people," confessed Herr Langen to me. "I like them very, very much. I think I shall take a room here for the whole summer."

"Why?"