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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Crito by Plato:

they will be charmed to hear the tale of your escape from prison, set off with ludicrous particulars of the manner in which you were wrapped in a goatskin or some other disguise, and metamorphosed as the manner is of runaways; but will there be no one to remind you that in your old age you were not ashamed to violate the most sacred laws from a miserable desire of a little more life? Perhaps not, if you keep them in a good temper; but if they are out of temper you will hear many degrading things; you will live, but how?--as the flatterer of all men, and the servant of all men; and doing what?--eating and drinking in Thessaly, having gone abroad in order that you may get a dinner. And where will be your fine sentiments about justice and virtue? Say that you wish to live for the sake of your

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Through the Looking-Glass by Lewis Carroll:

Of all the strange things that Alice saw in her journey Through The Looking-Glass, this was the one that she always remembered most clearly. Years afterwards she could bring the whole scene back again, as if it had been only yesterday--the mild blue eyes and kindly smile of the Knight--the setting sun gleaming through his hair, and shining on his armour in a blaze of light that quite dazzled her--the horse quietly moving about, with the reins hanging loose on his neck, cropping the grass at her feet--and the black shadows of the forest behind--all this she took in like a picture, as, with one hand shading her eyes, she leant against a tree, watching the strange pair, and


Through the Looking-Glass
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Middlemarch by George Eliot:

the same people. I often offend in something of the same way; I am apt to speak too strongly of those who don't please me."

In spite of this magnanimity Dorothea was still smarting: perhaps as much from Celia's subdued astonishment as from her small criticisms. Of course all the world round Tipton would be out of sympathy with this marriage. Dorothea knew of no one who thought as she did about life and its best objects.

Nevertheless before the evening was at an end she was very happy. In an hour's tete-a-tete with Mr. Casaubon she talked to him with more freedom than she had ever felt before, even pouring out her joy at the thought of devoting herself to him, and of


Middlemarch
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson:

alive the opposition of two schemes simultaneously followed; to keep them notably apart, though still coincident; and to balance them with such judicial nicety before the reader, that neither shall be unperceived and neither signally prevail.

The rule of rhythm in prose is not so intricate. Here, too, we write in groups, or phrases, as I prefer to call them, for the prose phrase is greatly longer and is much more nonchalantly uttered than the group in verse; so that not only is there a greater interval of continuous sound between the pauses, but, for that very reason, word is linked more