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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

progressed like a man with definite business in view until he reached a house. It was a large white farm-house with many outbuildings. It looked most promising. He approached the side door, and a dog sprang from around a corner and barked, but he spoke, and the dog's tail became eloquent. He was patting the dog, when the door opened and a man stood looking at him. Immediately the taint of the prison became evident. He had not cringed before the dog, but he did cringe before the man who lived in that fine white house, and who had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

skilful hand. And, in good faith, there he remained still, having much the visage which I was disposed to ascribe to him on the evidence of his handwriting,--grim and austere, yet not without a cast of shrewdness and determination; in armour, though he never wore it, I fancy; one hand on an open book, and one resting on the hilt of his sword, though I dare say his head never ached with reading, nor his limbs with fencing.

"That picture is painted on the wood, madam," said I.

"Ay, sir, or it's like it would not have been left there; they look a' they could."

"Mr. Treddles's creditors, you mean?" said I.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac:

their Reverences the Chapter of the Cathedral; and in return the Bishop leased him twenty-five perches of land, with exemptions from all feudal dues or taxes on the buildings he might erect.

Seven years before the beginning of this narrative, Joseph Tirechair, one of the sternest of Paris constables, as his name (Tear Flesh) would indicate, had, thanks to his share of the fines collected by him for delinquencies committed within the precincts of the Cite, had been able to build a house on the bank of the Seine just at the end of the Rue du Port-Saint-Landry. To protect the merchandise landed on the strand, the municipality had constructed a sort of break-water of masonry, which may still be seen on some old plans of Paris, and which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Leaning on the rock behind you? Come and wrestle with the others, Let us pitch the quoit together!" Lazy Kwasind made no answer, To their challenge made no answer, Only rose, and slowly turning, Seized the huge rock in his fingers, Tore it from its deep foundation, Poised it in the air a moment, Pitched it sheer into the river, Sheer into the swift Pauwating,