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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

Alice carefully released the brush, and did her best to get the hair into order. `Come, you look rather better now!' she said, after altering most of the pins. `But really you should have a lady's maid!'

`I'm sure I'll take you with pleasure!' the Queen said. `Twopence a week, and jam every other day.'

Alice couldn't help laughing, as she said, `I don't want you to hire ME--and I don't care for jam.'

`It's very good jam,' said the Queen.

`Well, I don't want any TO-DAY, at any rate.'

`You couldn't have it if you DID want it,' the Queen said.


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pride and Prejudice by Jane Austen:

gained her point, and had time to consider of it. Her reflections were in general satisfactory. Mr. Collins, to be sure, was neither sensible nor agreeable; his society was irksome, and his attachment to her must be imaginary. But still he would be her husband. Without thinking highly either of men or matrimony, marriage had always been her object; it was the only provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want. This preservative she had now obtained; and at the age of twenty-seven, without having ever been handsome, she felt all the good luck of it. The least


Pride and Prejudice
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrong Box by Stevenson & Osbourne:

chronically unemployed, a gentleman (in one corner) trying to sell aesthetic photographs out of a leather case to another and very youthful gentleman with a yellow goatee, and a pair of lovers debating some fine shade (in the other). But the centre-piece and great attraction was a little old man, in a black, ready-made surtout, which was obviously a recent purchase. On the marble table in front of him, beside a sandwich and a glass of beer, there lay a battered forage cap. His hand fluttered abroad with oratorical gestures; his voice, naturally shrill, was plainly tuned to the pitch of the lecture room; and by arts, comparable to those of the Ancient Mariner, he was now

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master of the World by Jules Verne:

account for it. At first, it was suggested that the trouble was due to seismic forces, to some volcanic action beneath the lake; but this hypothesis had to be rejected when it was recognized that the disturbance was not confined to one locality, but spread itself over the entire surface of the lake, either at one part or another, in the center or along the edges, traveling along almost in a regular line and in a way to exclude entirely all idea of earthquake or volcanic action.

"Another hypothesis suggested that it was a marine monster who thus upheaved the waters. But unless the beast had been born in the lake and had there grown to its gigantic proportions unsuspected, which