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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Options by O. Henry:

in the afternoon. There were about fifty houses and four hundred niggers in sight. The rest was red mud, mules, and speckled hounds.

"A tall old man, with a smooth face and white hair, looking as proud as Julius Caesar and Roscoe Conkling on the same post-card, was there to meet her. His clothcs were frazzled, but I didn't notice that till later. He took her little satchel, and they started over the plank- walks and went up a road along the hill. I kept along a piece behind 'em, trying to look like I was hunting a garnet ring in the sand that my sister had lost at a picnic the previous Saturday.

"They went in a gate on top of the hill. It nearly took my breath away when I looked up. Up there in the biggest grove I ever saw was a


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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

gathered together for a leap did he realise the ravine ahead. And then he reaIised it only to misunderstand and interfere. He was leaning forward on his horse's neck and sat up and back all too late.

But if in his excitement he had failed to leap, at any rate he had not forgotten how to fall. He was horseman again in mid-air. He came off clear with a mere bruise upon his shoulder, and his horse rolled, kicking spasmodic legs, and lay still. But the master's sword drove its point into the hard soil, and snapped clean across, as though Chance refused him any longer as her Knight, and the splintered end missed his face by an inch or so.

He was on his feet in a moment, breathlessly scanning the onrushing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

principal characters will be quite as much disguised; for though in this history the chronicler would prefer to conceal the facts under a mass of contradictions, anachronisms, improbabilities, and absurdities, the truth will out in spite of him. You uproot a vine- stock, as you imagine, and the stem will send up lusty shoots after you have ploughed your vineyard over.

The "Hotel d'Esgrignon" was nothing more nor less than the house in which the old Marquis lived; or, in the style of ancient documents, Charles Marie Victor Ange Carol, Marquis d'Esgrignon. It was only an ordinary house, but the townspeople and tradesmen had begun by calling it the Hotel d'Esgrignon in jest, and ended after a score of years by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glasses by Henry James:

and from Venice back to London again. I afterwards learned that her version of this episode was profusely inexact: his personal acquaintance with her had been determined by an accident remarkable enough, I admit, in connexion with what had gone before--a coincidence at all events superficially striking. At Munich, returning from a tour in the Tyrol with two of his sisters, he had found himself at the table d'hote of his inn opposite to the full presentment of that face of which the mere clumsy copy had made him dream and desire. He had been tossed by it to a height so vertiginous as to involve a retreat from the board; but the next day he had dropped with a resounding thud at the very feet of his