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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon:

show the difference between the power of the Church and the power of the sword, and taught that both of them, because of God's commandment, are to be held in reverence and honor, as the chief blessings of God on earth.

But this is their opinion, that the power of the Keys, or the power of the bishops, according to the Gospel, is a power or commandment of God, to preach the Gospel, to remit and retain sins, and to administer Sacraments. For with this commandment Christ sends forth His Apostles, John 20, 21 sqq.: As My Father hath sent Me, even so send I you. Receive ye the Holy Ghost. Whosesoever sins ye remit, they are remitted unto them;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fables by Robert Louis Stevenson:

good spirits.

"I find here some record of a quarrel," said the justice, looking in his notes. "Which of you was in the wrong?"

"He was," said the man. "He spoke ill of me behind my back."

"Did he so?" said the justice. "And pray how did he speak about your neighbours?"

"Oh, he had always a nasty tongue," said the man.

"And you chose him for your friend?" cried the justice. "My good fellow, we have no use here for fools."

So the man was cast in the pit, and the friend laughed out aloud in the dark and remained to be tried on other charges.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

the faintest grunt of a grudge - a note for which my young experience had already given me an ear. Of late he had had more recognition, and it was pleasant, as we used to say in THE MIDDLE, to see how it drew him out. He wasn't of course popular, but I judged one of the sources of his good humour to be precisely that his success was independent of that. He had none the less become in a manner the fashion; the critics at least had put on a spurt and caught up with him. We had found out at last how clever he was, and he had had to make the best of the loss of his mystery. I was strongly tempted, as I walked beside him, to let him know how much of that unveiling was my act; and there was a moment when I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

about the streets, have no more reverence for what is beautiful and holy, nor pity for what is sad,--no more sense of sacred misery, sanctifying the human shape in which it embodies itself, --than if Satan were the father of them all! Goaded by their taunts, their loud, shrill cries, and cruel laughter,--insulted by the filth of the public ways, which they would fling upon him, --or, as it might well be, distracted by the mere strangeness of his situation, though nobody should afflict him with so much as a thoughtless word,--what wonder if Clifford were to break into some wild extravagance which was certain to be interpreted as lunacy? Thus Judge Pyncheon's fiendish scheme would be ready


House of Seven Gables