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Today's Stichomancy for Meyer Lansky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Daughter of Eve by Honore de Balzac:

artless in its dark creases. The blue of innocence was in his eyes, and a gay smile of springtide abode upon his lips. His iron-gray hair, falling naturally like that of the Christ in art, added to his ecstatic air a certain solemnity which was absolutely deceptive as to his real nature; for he was capable of committing any silliness with the most exemplary gravity. His clothes were a necessary envelope, to which he paid not the slightest attention, for his eyes looked too high among the clouds to concern themselves with such materialities. This great unknown artist belonged to the kindly class of the self- forgetting, who give their time and their soul to others, just as they leave their gloves on every table and their umbrella at all doors. His

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

sides were scarred with great squares, yards wide, which told of the size of the blocks once hewn by nameless hands and chisels. High over its jagged rim huge ravens flapped and croaked, and vague whirrings in the unseen depths told of bats or urhags or less mentionable presences haunting the endless blackness. There Carter stood in the narrow way amidst the twilight with the rocky path sloping down before him; tall onyx cliffs on his right that led on as far as he could see and tall cliffs on the left chopped off just ahead to make that terrible and unearthly quarry. All at once the yak uttered a cry and burst from his control, leaping


The Dream-Quest of Unknown Kadath
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

one fact--the great fact of love--established, it was not difficult to account for at least one or two of the several things that puzzled me. There could be no doubt that Hortense loved John Mayrant, loved him beyond her own control. When this love had begun, made no matter. Perhaps it began on the bridge, when the money was torn, and Eliza La Heu had appeared. The Kings Port version of Hortense's indifference to John before the event of the phosphates might well enough be true. It might even well enough be true that she had taken him and his phosphates at Newport for lack of anything better at hand, and because she was sick of disappointed hopes. In this case, Charley's subsequent appearance as something very much better (if the phosphates were to fail) would

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

headed wife for his son. The rest of the town, he confided to her once, in a fit of temper, was certainly queer. The way they looked at you--the way they talked to you! He had never got on with any one in the place. Didn't like the people. He would not have left his own country if it had not been clear that his son had taken a fancy to Colebrook.

She humoured him in silence, listening patiently by the fence; crocheting with downcast eyes. Blushes came with difficulty on her dead-white complexion, under the negligently twisted opu-


To-morrow