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Today's Stichomancy for Meyer Lansky

The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare:

What will these hands ne're be cleane? No more o'that my Lord, no more o'that: you marre all with this starting

Doct. Go too, go too: You haue knowne what you should not

Gent. She ha's spoke what shee should not, I am sure of that: Heauen knowes what she ha's knowne

La. Heere's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh

Doct. What a sigh is there? The hart is sorely charg'd

Gent. I would not haue such a heart in my bosome,


Macbeth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

falls under the influence of this opium, and loses his head. Long ago I felt ill at ease when I saw a woman too well adorned,--whether a woman of the people with her red neckerchief and her looped skirt, or a woman of our own society in her ball-room dress. But now it simply terrifies me. I see in it a danger to men, something contrary to the laws; and I feel a desire to call a policeman, to appeal for defence from some quarter, to demand that this dangerous object be removed.

"And this is not a joke, by any means. I am convinced, I am sure, that the time will come--and perhaps it is not far distant--when the world will understand this, and will be


The Kreutzer Sonata
The third excerpt represents the future or something you must embrace, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

girl who turned out to be her maid, and who also was searching. She was concerned because her mistress had had no dinner, and because the tray of food she carried would soon be cold. I took the tray from her, on the glimpse of something white on the shore, and that was how I met the Girl again.

She was sitting on an over-turned boat, her chin in her hands, staring out to sea. The soft tide of the bay lapped almost at her feet, and the draperies of her white gown melted hazily into the sands. She looked like a wraith, a despondent phantom of the sea, although the adjective is redundant. Nobody ever thinks of a cheerful phantom. Strangely enough, considering her evident sadness,


The Man in Lower Ten