The first excerpt represents the past or something you must release, and is drawn from Essays & Lectures by Oscar Wilde: said, we owe all that moves in the world except the blind forces of
nature.
For, from the day when they left the chill table-lands of Tibet and
journeyed, a nomad people, to AEgean shores, the characteristic of
their nature has been the search for light, and the spirit of
historical criticism is part of that wonderful Aufklarung or
illumination of the intellect which seems to have burst on the
Greek race like a great flood of light about the sixth century B.C.
L'ESPRIT D'UN SIECLE NE NAIT PAS ET NE MEURT PAS E JOUR FIXE, and
the first critic is perhaps as difficult to discover as the first
man. It is from democracy that the spirit of criticism borrows its
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Main Street by Sinclair Lewis: you do like Valborg. Oh, I don't mean in any wrong way.
But you're young; you don't know what an innocent liking
might drift into. You always pretend to be so sophisticated
and all, but you're a baby. Just because you are so innocent,
you don't know what evil thoughts may lurk in that fellow's brain."
"You don't suppose Valborg could actually think about
making love to me?"
Her rather cheap sport ended abruptly as Vida cried, with
contorted face, "What do you know about the thoughts in
hearts? You just play at reforming the world. You don't
know what it means to suffer."
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The third excerpt represents the future or something you must embrace, and is drawn from Gorgias by Plato: from the former. But perhaps we had better first try to distinguish them,
as I did before, and when we have come to an agreement that they are
distinct, we may proceed to consider in what they differ from one another,
and which of them we should choose. Perhaps, however, you do not even now
understand what I mean?
CALLICLES: No, I do not.
SOCRATES: Then I will explain myself more clearly: seeing that you and I
have agreed that there is such a thing as good, and that there is such a
thing as pleasure, and that pleasure is not the same as good, and that the
pursuit and process of acquisition of the one, that is pleasure, is
different from the pursuit and process of acquisition of the other, which
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