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Today's Stichomancy for Michael Jordan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Crito by Plato:

she lead us to wounds or death in battle, thither we follow as is right; neither may any one yield or retreat or leave his rank, but whether in battle or in a court of law, or in any other place, he must do what his city and his country order him; or he must change their view of what is just: and if he may do no violence to his father or mother, much less may he do violence to his country.' What answer shall we make to this, Crito? Do the laws speak truly, or do they not?

CRITO: I think that they do.

SOCRATES: Then the laws will say: 'Consider, Socrates, if we are speaking truly that in your present attempt you are going to do us an injury. For, having brought you into the world, and nurtured and educated you, and given

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chouans by Honore de Balzac:

say no more, he was my father. But let me explain to you how my life in Paris injured my soul. The society of the Duc de Verneuil, to which he introduced me, was bitten by that scoffing philosophy about which all France was then enthusiastic because it was wittily professed. The brilliant conversations which charmed my ear were marked by subtlety of perception and by witty contempt for all that was true and spiritual. Men laughed at sentiments, and pictured them all the better because they did not feel them; their satirical epigrams were as fascinating as the light-hearted humor with which they could put a whole adventure into a word; and yet they had sometimes too much wit, and wearied women by making love an art, and not a matter of feeling.


The Chouans
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mansfield Park by Jane Austen:

Edmund proposed, urged, entreated it, till the lady, not very unwilling at first, could refuse no longer, and Fanny was wanted only to prompt and observe them. She was invested, indeed, with the office of judge and critic, and earnestly desired to exercise it and tell them all their faults; but from doing so every feeling within her shrank--she could not, would not, dared not attempt it: had she been otherwise qualified for criticism, her conscience must have restrained her from venturing at disapprobation. She believed herself to feel too much of it in the aggregate for honesty or safety in particulars. To prompt them must


Mansfield Park
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Passion in the Desert by Honore de Balzac:

off from this beautiful tree the tall broad green leaves which are its poetic adornment, and used them to mend the mat on which he was to sleep.

Fatigued by the heat and his work, he fell asleep under the red curtains of his wet cave.

In the middle of the night his sleep was troubled by an extraordinary noise; he sat up, and the deep silence around allowed him to distinguish the alternative accents of a respiration whose savage energy could not belong to a human creature.

A profound terror, increased still further by the darkness, the silence, and his waking images, froze his heart within him. He almost