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Today's Stichomancy for Michael Jordan

The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

more greatly than did my own.

Beyond the barrier cliffs my party was even now nervously awaiting my return. Presently apprehension and fear would claim them--and they would never know! They would attempt to scale the cliffs--of that I was sure; but I was not so positive that they would succeed; and after a while they would turn back, what there were left of them, and go sadly and mournfully upon their return journey to home. Home! I set my jaws and tried to forget the word, for I knew that I should never again see home.

And what of Bowen and his girl? I had doomed them too. They would


The People That Time Forgot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

Henri stood still, swaying a little.

"And you love him? More than you care for me?"

"He is - he is my kind," said Sara Lee rather pitifully. "I am not what you think me. You see me here, doing what you think is good work, and you are grateful. And you don't see any other women. So I-"

"And you think I love you because I see no one else?" he demanded, still rather stunned.

"Isn't that part of it?"

He flung out his hands as though he despaired of making her understand.

"This man at home -" he said bitterly; "this man who loves you so well that he let you cross the sea and come here alone - do you love him very

The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac:

there will be no Salon, and without the Salon art may perish.

Ever since the catalogue has grown into a book, many names have appeared in it which still remain in their native obscurity, in spite of the ten or a dozen pictures attached to them. Among these names perhaps the most unknown to fame is that of an artist named Pierre Grassou, coming from Fougeres, and called simply "Fougeres" among his brother-artists, who, at the present moment holds a place, as the saying is, "in the sun," and who suggested the rather bitter reflections by which this sketch of his life is introduced,-- reflections that are applicable to many other individuals of the tribe of artists.