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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

about the matter Lan-O had suggested. Quickly they found the key and unlatched the door and then, between them, they half carried, half dragged, the corpse of E-Med from the room and down the stairway to the next level where Lan-O said there were vacant chambers. The first door they tried was unlatched, and through this the two bore their grisly burden into a small room lighted by a single window. The apartment bore evidence of having been utilized as a living-room rather than as a cell, being furnished with a degree of comfort and even luxury. The walls were paneled to a height of about seven feet from the floor, while the plaster above and the ceiling were decorated with faded paintings of


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Riverman by Stewart Edward White:

swelled up within him to fill his throat. An almost irresistible impulse all but controlled him to crush her to him, to kiss her lips and her throat, to lose his fingers in the soft, shadowy fineness of her hair. The crest of the wave passed almost immediately, but it left him shaken. A faint colour deepened under the transparence of her skin; her fathomless black eyes widened ever so little; she released her hand.

"It was good of you to come so promptly," said she. "I'm so anxious to hear all about the dear people at Redding."

She settled gracefully in one of the little chairs. Orde sat down, once more master of himself, but still inclined to devour her with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

kept up an undertone of humming in a minor key; occasionally breaking into a short musical phrase in full voice.

We rode an hour. The camp looked very cool and inviting under its wide high trees, with the river slipping by around the islands of papyrus. A number of black heads bobbed about in the shallows. The small fires sent up little wisps of smoke. Around them our boys sprawled, playing simple games, mending, talking, roasting meat. Their tiny white tents gleamed pleasantly among the cool shadows.

I had thought of riding nonchalantly up to our own tents, of dismounting with a careless word of greeting-

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

He tumbled in, rolled over on his back, and flung one arm across his eyes. And then, with his face nearly hidden, he must have looked exactly as I used to look in that bed. I gazed upon my other self for a while before drawing across carefully the two green serge curtains which ran on a brass rod. I thought for a moment of pinning them together for greater safety, but I sat down on the couch, and once there I felt unwilling to rise and hunt for a pin. I would do it in a moment. I was extremely tired, in a peculiarly intimate way, by the strain of stealthiness, by the effort of whispering and the general secrecy of this excitement. It was three o'clock by now and I had been on my feet since nine, but I was not sleepy; I could not have gone to sleep. I sat there,


The Secret Sharer