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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

her, and on my return to England I showed her every kindness in my power. Her mother's death had made her means sufficient, and she had gone to live in a more convenient quarter. But her loss had been great and her visitation cruel; it never would have occurred to me moreover to suppose she could come to feel the possession of a technical tip, of a piece of literary experience, a counterpoise to her grief. Strange to say, none the less, I couldn't help believing after I had seen her a few times that I caught a glimpse of some such oddity. I hasten to add that there had been other things I couldn't help believing, or at least imagining; and as I never felt I was really clear about these, so, as to the point I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Muse of the Department by Honore de Balzac:

debt, though Dinah, who was proud, bought all her clothes out of her savings, and fancied she had not been the smallest expense to her beloved. By the end of three months Dinah was acclimatized; she had reveled in the music at the Italian opera; she knew the pieces "on" at all theatres, and the actors and jests of the day; she had become inured to this life of perpetual excitement, this rapid torrent in which everything is forgotten. She no longer craned her neck or stood with her nose in the air, like an image of Amazement, at the constant surprises that Paris has for a stranger. She had learned to breathe that witty, vitalizing, teeming atmosphere where clever people feel themselves in their element, and which they can no longer bear to


The Muse of the Department
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dream Life and Real Life by Olive Schreiner:

figures moving over the low bushes.

In the sheeny moonlight you could see how they moved on, slowly and furtively; the short one, and the one in light clothes, and the one in dark.

"I cannot help them now!" she cried, and sank down on the ground, with her little hands clasped before her.

...

"Awake, awake!" said the farmer's wife; "I hear a strange noise; something calling, calling, calling!"

The man rose, and went to the window.

"I hear it also," he said; "surely some jackal's at the sheep. I will load

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

showed that Lingard heard the passionate cry wrung from her by the distress of her mind. He made no sign. She perceived clearly the extreme difficulty of her position. The situation was dangerous; not so much the facts of it as the feeling of it. At times it appeared no more actual than a tradition; and she thought of herself as of some woman in a ballad, who has to beg for the lives of innocent captives. To save the lives of Mr. Travers and Mr. d'Alcacer was more than a duty. It was a necessity, it was an imperative need, it was an irresistible mission. Yet she had to reflect upon the horrors of a cruel and obscure death before she could feel for them the pity they


The Rescue