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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

such a point as to be certain of their affection for----"

"What seems to you a problem," said I, interrupting, "is really quite natural."

"Oh!" she cried, letting an incredulous smile wander over her lips.

"You think that beasts are wholly without passions?" I asked her. "Quite the reverse; we can communicate to them all the vices arising in our own state of civilization."

She looked at me with an air of astonishment.

"But," I continued, "the first time I saw M. Martin, I admit, like you, I did give vent to an exclamation of surprise. I found myself next to an old soldier with the right leg amputated, who had come in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Odyssey by Homer:

decorated seat under which he threw a cloth of damask. There was a footstool also for her feet,{2} and he set another seat near her for himself, away from the suitors, that she might not be annoyed while eating by their noise and insolence, and that he might ask her more freely about his father.

A maid servant then brought them water in a beautiful golden ewer and poured it into a silver basin for them to wash their hands, and she drew a clean table beside them. An upper servant brought them bread, and offered them many good things of what there was in the house, the carver fetched them plates of all manner of meats and set cups of gold by their side, and a


The Odyssey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

work themselves into a frenzy. Then we might have to do a little rapid shooting. Not for one instant the whole night long did those misguided savages cease their howling and dancing. At any rate we cost them a night's sleep.

Next morning we took up our march through the deserted tracks once more. Not a sign of human life did we encounter. About ten o'clock we climbed down a tremendous gash of a box canyon with precipitous cliffs. From below we looked back to see, perched high against the skyline, the motionless figures of many savages watching us from the crags. So we had had company after all, and we had not known it. This canyon proved to be the boundary line.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

spiteful word; young and sweet-natured, not so much old at heart as aged by the maxims of those about her; versed in a selfish philosophy in which she was all unpractised, she had all the vices of a courtier, all the nobleness of developing womanhood. She trusted nothing and no one, yet there were times when she quitted her sceptical attitude for a submissive credulity.

How should any portrait be anything but incomplete of her, in whom the play of swiftly-changing colour made discord only to produce a poetic confusion? For in her there shone a divine brightness, a radiance of youth that blended all her bewildering characteristics in a certain completeness and unity informed by