| The first excerpt represents the past or something you must release, and is drawn from Amy Foster by Joseph Conrad: work the telegraph on his behalf. The American
Kaiser engaged him at last at three dollars, he
being young and strong. However, many able
young men backed out, afraid of the great dis-
tance; besides, those only who had some money
could be taken. There were some who sold their
huts and their land because it cost a lot of money
to get to America; but then, once there, you had
three dollars a day, and if you were clever you
could find places where true gold could be picked
up on the ground. His father's house was getting
 Amy Foster |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twelve Stories and a Dream by H. G. Wells: Then presently, when he was surer these spider swarms could not
drop into the ravine, he found a place where he could sit down,
and sat and fell into deep thought and began after his manner
to gnaw his knuckles and bite his nails. And from this he was moved
by the coming of the man with the white horse.
He heard him long before he saw him, as a clattering of hoofs,
stumbling footsteps, and a reassuring voice. Then the little man
appeared, a rueful figure, still with a tail of white cobweb trailing
behind him. They approached each other without speaking, without
a salutation. The little man was fatigued and shamed to the pitch
of hopeless bitterness, and came to a stop at last, face to face with
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The third excerpt represents the future or something you must embrace, and is drawn from Beast in the Jungle by Henry James: afraid?"
"Did I tell you I was--at Naples?"
"No, you said nothing about it."
"Then I don't know. And I should like to know," said John Marcher.
"You'll tell me yourself whether you think so. If you'll watch
with me you'll see."
"Very good then." They had been moving by this time across the
room, and at the door, before passing out, they paused as for the
full wind-up of their understanding. "I'll watch with you," said
May Bartram.
CHAPTER II
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