The first excerpt represents the past or something you must release, and is drawn from A Passion in the Desert by Honore de Balzac: terror reached its height, for he could no longer doubt the proximity
of a terrible companion, whose royal dwelling served him for a
shelter.
Presently the reflection of the moon descending on the horizon lit up
the den, rendering gradually visible and resplendent the spotted skin
of a panther.
This lion of Egypt slept, curled up like a big dog, the peaceful
possessor of a sumptuous niche at the gate of an hotel; its eyes
opened for a moment and closed again; its face was turned towards the
man. A thousand confused thoughts passed through the Frenchman's mind;
first he thought of killing it with a bullet from his gun, but he saw
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Madam How and Lady Why by Charles Kingsley: two different continents. Scrambling over the fence is like
scrambling out of Europe into Australia. Now, how was that
difference made? Think. Don't guess, but think. Why does the
rich grass come up to the bank, and yet not spread beyond it?
I suppose because it cannot get over.
Not get over? Would not the wind blow the seeds, and the birds
carry them? They do get over, in millions, I don't doubt, every
summer.
Then why do they not grow?
Think.
Is there any difference in the soil inside and out?
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The third excerpt represents the future or something you must embrace, and is drawn from Fables by Robert Louis Stevenson: "She is a wonderful fine maid," said the first King, "and I like
her manner of smiling,"
"They are wonderful well-grown lads," said the second, "and I like
their gravity."
And then the two Kings looked at each other, and said, "The thing
may come about".
And in the meanwhile the two lads looked upon the maid, and the one
grew pale and the other red; and the maid looked upon the ground
smiling.
"Here is the maid that I shall marry," said the elder. "For I
think she smiled upon me."
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