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Today's Stichomancy for Michelle Yeoh

The first excerpt represents the past or something you must release, and is drawn from Scaramouche by Rafael Sabatini:

"Do not believe him, monsieur. Here I am queen, and I prefer to be queen here rather than a slave in Paris."

"Mademoiselle," said Andre-Louis, quite solemnly, "will be queen wherever she condescends to reign."

Her only answer was a timid - timid and yet alluring - glance from under fluttering lids. Meanwhile her father was bawling at the comely young man who played lovers - "You hear, Leandre! That is the sort of speech you should practise."

Leandre raised languid eyebrows. "That?" quoth he, and shrugged. "The merest commonplace."

Andre-Louis laughed approval. "M. Leandre is of a readier wit than

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Betty Zane by Zane Grey:

his face and his gray eyes gazed steadily into hers. Then his head fell back. With a sigh his brave spirit fled.

Hugh Bennet looked once at the pale face of his son, then he ran down the stairs after Silas and Clarke. When the three men emerged from behind Capt. Boggs' cabin, which was adjacent to the block-house, and which hid the south wall from their view, they were two hundred feet from Wetzel They heard the heavy thump of a log being rammed against the fence; then a splitting and splintering of one of the six-inch oak planks. Another and another smashing blow and the lower half of one of the planks fell inwards, leaving an aperture large enough to admit an Indian. The men dashed forward to the assistance of Wetzel, who stood by the hole with upraised axe. At the same moment a shot


Betty Zane
The third excerpt represents the future or something you must embrace, and is drawn from Bunner Sisters by Edith Wharton:

now took the precaution of putting on her crimson bow every evening before supper, and that she had refurbished with a bit of carefully washed lace the black silk which they still called new because it had been bought a year after Ann Eliza's.

Mr. Ramy, as he grew more intimate, became less conversational, and after the sisters had blushingly accorded him the privilege of a pipe he began to permit himself long stretches of meditative silence that were not without charm to his hostesses. There was something at once fortifying and pacific in the sense of that tranquil male presence in an atmosphere which had so long quivered with little feminine doubts and distresses; and the