The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tao Teh King by Lao-tze: become filial and kindly. If we could renounce our artful
contrivances and discard our (scheming for) gain, there would be no
thieves nor robbers.
2. Those three methods (of government)
Thought olden ways in elegance did fail
And made these names their want of worth to veil;
But simple views, and courses plain and true
Would selfish ends and many lusts eschew.
20. 1. When we renounce learning we have no troubles.
The (ready) 'yes,' and (flattering) 'yea;'--
Small is the difference they display.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Agent by Joseph Conrad: want to keep her for nothing. And on this characteristic
reasoning, having all the force of insane logic, Mrs Verloc's
disconnected wits went to work practically. She could slip by him,
open the door, run out. But he would dash out after her, seize her
round the body, drag her back into the shop. She could scratch,
kick, and bite - and stab too; but for stabbing she wanted a knife.
Mrs Verloc sat still under her black veil, in her own house, like a
masked and mysterious visitor of impenetrable intentions.
Mr Verloc's magnanimity was not more than human. She had
exasperated him at last.
"Can't you say something? You have your own dodges for vexing a
 The Secret Agent |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson: "You will, I am sure, pardon my curiosity. What I have seen of you
has greatly pleased but even more puzzled me. And though I should
be loth to seem indiscreet, I must tell you that my friend and I
are persons very well worthy to be entrusted with a secret. We
have many of our own, which we are continually revealing to
improper ears. And if, as I suppose, your story is a silly one,
you need have no delicacy with us, who are two of the silliest men
in England. My name is Godall, Theophilus Godall; my friend is
Major Alfred Hammersmith - or at least, such is the name by which
he chooses to be known. We pass our lives entirely in the search
for extravagant adventures; and there is no extravagance with which
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Passionate Pilgrim by William Shakespeare: As broken glass no cement can redress,
So beauty blemish'd once's for ever lost,
In spite of physic, painting, pain and cost.
XIV.
Good night, good rest. Ah, neither be my share:
She bade good night that kept my rest away;
And daff'd me to a cabin hang'd with care,
To descant on the doubts of my decay.
'Farewell,' quoth she, 'and come again tomorrow:
Fare well I could not, for I supp'd with sorrow.
Yet at my parting sweetly did she smile,
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