| The first excerpt represents the past or something you must release, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: that he turned to see what was going on below him brought him as
quickly to the ground again. Personal differences were quickly
forgotten in the danger which menaced his human companion, nor
was he a whit less eager to jeopardize his own safety in the
service of his friend than Korak had been to succor him.
The result was that Sheeta presently found two ferocious creatures
tearing him to ribbons. Shrieking, snarling and growling, the
three rolled hither and thither among the underbrush, while
with staring eyes the sole spectator of the battle royal crouched
trembling in the tree above them hugging Geeka frantically to
her breast.
 The Son of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vendetta by Honore de Balzac: which lay his wife.
"Father! take care of my son, who bears your name," she was saying in
her delirium.
"Oh, my angel! be calm," said Luigi, kissing her; "our good days are
coming back to us."
"My Luigi," she said, looking at him with extraordinary attention,
"listen to me. I feel that I am dying. My death is natural; I suffered
too much; besides, a happiness so great as mine has to be paid for.
Yes, my Luigi, be comforted. I have been so happy that if I were to
live again I would again accept our fate. I am a bad mother; I regret
you more than I regret my child-- My child!" she added, in a hollow
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The third excerpt represents the future or something you must embrace, and is drawn from Essays & Lectures by Oscar Wilde: enchant, or save, the souls of men. Above all this scenery of
perfect human life, rose dome and bell-tower, burning with white
alabaster and gold: beyond dome and bell-tower the slopes of
mighty hills hoary with olive; far in the north, above a purple sea
of peaks of solemn Apennine, the clear, sharp-cloven Carrara
mountains sent up their steadfast flames of marble summit into
amber sky; the great sea itself, scorching with expanse of light,
stretching from their feet to the Gorgonian isles; and over all
these, ever present, near or far - seen through the leaves of vine,
or imaged with all its march of clouds in the Arno's stream, or set
with its depth of blue close against the golden hair and burning
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