| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and Peace by Leo Tolstoy: footmen waiting at table seemed to feel this, and they forgot their
duties as they looked at the beautiful Helene with her radiant face
and at the red, broad, and happy though uneasy face of Pierre. It
seemed as if the very light of the candles was focused on those two
happy faces alone.
Pierre felt that he the center of it all, and this both pleased
and embarrassed him. He was like a man entirely absorbed in some
occupation. He did not see, hear, or understand anything clearly. Only
now and then detached ideas and impressions from the world of
reality shot unexpectedly through his mind.
"So it is all finished!" he thought. "And how has it all happened?
 War and Peace |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from O Pioneers! by Willa Cather: Emil together. Because she knew Frank was
surly about doing little things to help his wife,
she was always sending Emil over to spade or
plant or carpenter for Marie. She was glad to
have Emil see as much as possible of an intelli-
gent, city-bred girl like their neighbor; she no-
ticed that it improved his manners. She knew
that Emil was fond of Marie, but it had never
occurred to her that Emil's feeling might be dif-
ferent from her own. She wondered at herself
now, but she had never thought of danger in
 O Pioneers! |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Woman and Labour by Olive Schreiner: the day, of the bazaars I am working for, the shopping I have done, the
visits I have paid, he is bored. He is anxious to get away to his study,
his books, and his men friends, and I am left utterly alone. If it were
not for the society of women and other men with whom I have more in common,
I could not bear my life. When we first met as boy and girl, and fell in
love, we danced and rode together and seemed to have everything in common;
now we have nothing. I respect him and I believe he respects me, but that
is all!" It is, perhaps, only in close confidences between man and man and
woman and woman that this open sore, rising from the divergence in
training, habits of life, and occupation between men and women is spoken
of; but it lies as a tragic element at the core of millions of modern
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Burning Daylight by Jack London: in turn, worked every trick in his lexicon. Discovering that his
martingale had more slack in it than usual, he proceeded to give
an exhibition of rearing and hind-leg walking. After ten
hopeless minutes of it, Daylight slipped off and tightened the
martingale, whereupon Bob gave an exhibition of angelic goodness.
He fooled Daylight completely. At the end of half an hour of
goodness, Daylight, lured into confidence, was riding along at a
walk and rolling a cigarette, with slack knees and relaxed seat,
the reins lying on the animal's neck. Bob whirled abruptly and
with lightning swiftness, pivoting on his hind legs, his fore
legs just lifted clear of the ground. Daylight found himself
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