The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes: drawn, to a great extent, from his personal experiences; that is,
is a literal copy of nature under various slight disguises. But
the moment the author gets out of his personality, he must have the
creative power, as well as the narrative art and the sentiment, in
order to tell a living story; and this is rare.
Besides, there is great danger that a man's first life-story shall
clean him out, so to speak, of his best thoughts. Most lives,
though their stream is loaded with sand and turbid with alluvial
waste, drop a few golden grains of wisdom as they flow along.
Oftentimes a single CRADLING gets them all, and after that the poor
man's labor is only rewarded by mud and worn pebbles. All which
 The Autocrat of the Breakfast-Table |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather: up a flight of steps in front of him and disappeared.
Wilson was able to enjoy lovely things
that passed him on the wing as completely
and deliberately as if they had been dug-up
marvels, long anticipated, and definitely fixed
at the end of a railway journey. For a few
pleasurable seconds he quite forgot where he
was going, and only after the door had closed
behind her did he realize that the young
woman had entered the house to which he
had directed his trunk from the South Station
 Alexander's Bridge |