| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale: And frogs in the pools singing at night,
And wild plum-trees in tremulous white;
Robins will wear their feathery fire
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree
If mankind perished utterly;
And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
In a Garden
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac: promise splendid results on paper, and are ruinous in effect. He was--
to quote the wittiest and most successful of our diplomates--one of
the faithful five hundred who shared the exile of the Court at Ghent,
and one of the fifty thousand who returned with it. During the short
banishment of royalty, Monsieur de Fontaine was so happy as to be
employed by Louis XVIII., and found more than one opportunity of
giving him proofs of great political honesty and sincere attachment.
One evening, when the King had nothing better to do, he recalled
Monsieur de Fontaine's witticism at the Tuileries. The old Vendeen did
not let such a happy chance slip; he told his history with so much
vivacity that a king, who never forgot anything, might remember it at
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis: out of the wet, the pain, the ashes, somewhere, anywhere,--only
for one moment of free air on a hill-side, to lie down and let
his sick soul throb itself out in the sunshine. But to-night he
panted for life. The savage strength of his nature was roused;
his cry was fierce to God for justice.
"Look at me!" he said to Deborah, with a low, bitter laugh,
striking his puny chest savagely. "What am I worth, Deb? Is it
my fault that I am no better? My fault? My fault?"
He stopped, stung with a sudden remorse, seeing her hunchback
shape writhing with sobs. For Deborah was crying thankless
tears, according to the fashion of women.
Life in the Iron-Mills |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf: legend. The house in Russell Square, for example, with its noble
rooms, and the magnolia-tree in the garden, and the sweet-voiced
piano, and the sound of feet coming down the corridors, and other
properties of size and romance--had they any existence? Yet why should
Mrs. Alardyce live all alone in this gigantic mansion, and, if she did
not live alone, with whom did she live? For its own sake, Katharine
rather liked this tragic story, and would have been glad to hear the
details of it, and to have been able to discuss them frankly. But this
it became less and less possible to do, for though Mrs. Hilbery was
constantly reverting to the story, it was always in this tentative and
restless fashion, as though by a touch here and there she could set
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