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Today's Stichomancy for Muhammad Ali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac:

neck, were disclosed in all their withered horror,--the wrinkles being marked in scarlet lines that contrasted with the would-be white of the bed-gown which was tied round her neck by a narrow tape. The gaping of this garment revealed a breast to be likened only to that of an old peasant woman who cares nothing about her personal ugliness. The fleshless arm was like a stick on which a bit of stuff was hung. Seen at her window, this spinster seemed tall from the length and angularity of her face, which recalled the exaggerated proportions of certain Swiss heads. The character of their countenance--the features being marked by a total want of harmony--was that of hardness in the lines, sharpness in the tones; while an unfeeling spirit, pervading

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

any material benefit in all the books of political economy between Westminster and Birmingham. Greenville chewing wineglasses at table makes no very pleasant figure, any more than a thousand other artists when they are viewed in the body, or met in private life; but his work of art, his finished tragedy, is an eloquent performance; and I contend it ought not only to enliven men of the sword as they go into battle, but send back merchant clerks with more heart and spirit to their book-keeping by double entry.

There is another question which seems bound up in this; and that is Temple's problem: whether it was wise of Douglas

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Professor by Charlotte Bronte:

instead of tying them up with a thread of green silk in a kind of Lilliputian packet, I could have thrust them back into her little hand, and shut up the small, taper fingers over them--so--and compelled her shame, her pride, her shyness, all to yield to a little bit of determined Will--now where is she? How can I get at her?"

Opening my chamber door I walked down into the kitchen.

"Who brought the packet ?" I asked of the servant who had delivered it to me.

"Un petit commissionaire, monsieur."

"Did he say anything?"


The Professor
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

the wainscoting. The light backs of the books, or the gold letters on the darker bindings, made spots of brightness in the gloom. The hideous pool of blood in the centre of the floor was still plainly to be seen.

"Judging by the loss of blood, death must have come quickly."

"There was no struggle, evidently, for everything in the room was in perfect order when we entered it."

"There is not even a chair misplaced. His Bible is there on the desk, he may have been preparing for to-clay's sermon."

"Yes, that is the case; because see, here are some notes in his handwriting."