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Today's Stichomancy for Naomi Campbell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

his are almost the only sensible and valuable words, and we thank Heaven for him. Comparatively, he is always strong, original, and, above all, practical. Still, his quality is not wisdom, but prudence. The lawyer's truth is not Truth, but consistency or a consistent expediency. Truth is always in harmony with herself, and is not concerned chiefly to reveal the justice that may consist with wrong-doing. He well deserves to be called, as he has been called, the Defender of the Constitution. There are really no blows to be given him but defensive ones. He is not a leader, but a follower. His leaders are the men of


On the Duty of Civil Disobedience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesson of the Master by Henry James:

pursue his present trial to the end. If he could write as well under the rigour of privation it might be a mistake to change the conditions before that spell had spent itself. He would go back to London of course, but he would go back only when he should have finished his book. This was the vow he privately made, restoring his manuscript to the table-drawer. It may be added that it took him a long time to finish his book, for the subject was as difficult as it was fine, and he was literally embarrassed by the fulness of his notes. Something within him warned him that he must make it supremely good - otherwise he should lack, as regards his private behaviour, a handsome excuse. He had a horror of this

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

into giants and magicians; they are remarkably swift and enduring; fierce and terrible warriors." Very probably they may have a mythical origin in modes of thought akin to those which begot the Panis of the Veda and the Northern Trolls. The parallelism is perhaps the most remarkable one which can be found in comparing barbaric with Aryan folk-lore. Like the Panis and Trolls, the cannibals are represented as the foes of the solar hero Uthlakanyana, who is almost as great a traveller as Odysseus, and whose presence of mind amid trying circumstances is not to be surpassed by that of the incomparable Boots. Uthlakanyana is as precocious as Herakles


Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On Horsemanship by Xenophon:

particularly with mares, you will see him rear his head aloft to the full height, and arch his neck with nervous vigour,[2] pawing the air with pliant legs[3] and waving his tail on high. By training him to adopt the very airs and graces which he naturally assumes when showing off to best advantage, you have got what you are aiming at--a horse that delights in being ridden, a splendid and showy animal, the joy of all beholders.

[1] Al. "the animals are so scared that, the chances are, they are thrown into disorder."

[2] {gorgoumenos}, with pride and spirit, but with a suggestion of "fierceness and rage," as of Job's war-horse.


On Horsemanship