Today's Stichomancy for Naomi Campbell

shore. It would be ghastly cold to drop into the water to-night.

Or--throat cut--in the bathroom--

Babbitt flung into Paul's bathroom. It was empty. He smiled, feebly.

He pulled at his choking collar, looked at his watch, opened the window to stare down at the street, looked at his watch, tried to read the evening paper lying on the glass-topped bureau, looked again at his watch. Three minutes had gone by since he had first looked at it.

And he waited for three hours.

He was sitting fixed, chilled, when the doorknob turned. Paul came in glowering.

"Hello," Paul said. "Been waiting?"

In Golgotha and Khartoum, And the brutes, the work of thine hands, Fill with injustice lands And stain with blood the sea: If still in my veins the glee Of the black night and the sun And the lost battle, run: If, an adept, The iniquitous lists I still accept With joy, and joy to endure and be withstood, And still to battle and perish for a dream of good:

with husbands--who were great coquettes--dangerous, terrible women, with whom one's relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one's intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn.

"Have you been to that old castle?" asked the young girl, pointing with her

cruelties of the artist's thought, and the excessive pleasure which is sought for incessantly by the great, explain the normal ugliness of the Parisian physiognomy. It is only in the Orient that the human race presents a magnificent figure, but that is an effect of the constant calm affected by those profound philosophers with their long pipes, their short legs, their square contour, who despise and hold activity in horror, whilst in Paris the little and the great and the mediocre run and leap and drive, whipped on by an inexorable goddess, Necessity --the necessity for money, glory, and amusement. Thus, any face which is fresh and graceful and reposeful, any really young face, is in Paris the most extraordinary of exceptions; it is met with rarely.

The Girl with the Golden Eyes