The first excerpt represents the past or something you must release, and is drawn from The Research Magnificent by H. G. Wells: was in his blood. . . . But he wished he could walk as a spirit
walks, without this noise of leaves. . . .
Yes, this was very wonderful and beautiful, and there must always be
jungles for men to walk in. Always there must be jungles. . . .
Some small beast snarled and bolted from under his feet. He stopped
sharply. He had come into a darkness under great boughs, and now he
stood still as the little creature scuttled away. Beyond the track
emerged into a dazzling whiteness. . . .
In the stillness he could hear the deer belling again in the
distance, and then came a fuss of monkeys in a group of trees near
at hand. He remained still until this had died away into
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield: had reached the corner house, their house. The carriage gates were pushed
back; there were fresh marks of wheels on the drive. And then he faced the
big white-painted house, with its wide-open windows, its tulle curtains
floating outwards, its blue jars of hyacinths on the broad sills. On
either side of the carriage porch their hydrangeas--famous in the town--
were coming into flower; the pinkish, bluish masses of flower lay like
light among the spreading leaves. And somehow, it seemed to old Mr. Neave
that the house and the flowers, and even the fresh marks on the drive, were
saying, "There is young life here. There are girls--"
The hall, as always, was dusky with wraps, parasols, gloves, piled on the
oak chests. From the music-room sounded the piano, quick, loud and
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The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare: haue had a most rare vision. I had a dreame, past the wit
of man, to say, what dreame it was. Man is but an Asse,
if he goe about to expound this dreame. Me-thought I
was, there is no man can tell what. Me-thought I was,
and me-thought I had. But man is but a patch'd foole,
if he will offer to say, what me-thought I had. The eye of
man hath not heard, the eare of man hath not seen, mans
hand is not able to taste, his tongue to conceiue, nor his
heart to report, what my dreame was. I will get Peter
Quince to write a ballet of this dreame, it shall be called
Bottomes Dreame, because it hath no bottome; and I will
 A Midsummer Night's Dream |