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Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn:

is very dangerous to sleep here. Therefore, although my house is only a wretched thatched hut, let me beg of you to come home with me at once. In the way of food, I have nothing to offer you; but there is a roof at least, and you can sleep under it without risk."

He spoke earnestly; and Kwairyo, liking the kindly tone of the man, accepted this modest offer. The woodcutter guided him along a narrow path, leading up from the main road through mountain-forest. It was a rough and dangerous path,-- sometimes skirting precipices,-- sometimes offering nothing but a network of slippery roots for the foot to rest upon,-- sometimes winding over or between masses of jagged rock. But at last Kwairyo found himself upon a cleared space at the top of a hill, with a


Kwaidan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

for those who were already grown up. It happened that Jessie and Bluebell had both whelped soon after the hay harvest, giving birth between them to nine sturdy puppies. As soon as they were weaned, Napoleon took them away from their mothers, saying that he would make himself responsible for their education. He took them up into a loft which could only be reached by a ladder from the harness-room, and there kept them in such seclusion that the rest of the farm soon forgot their existence.

The mystery of where the milk went to was soon cleared up. It was mixed every day into the pigs' mash. The early apples were now ripening, and the grass of the orchard was littered with windfalls. The animals had assumed as a matter of course that these would be shared out equally; one day,


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems of William Blake by William Blake:

Dolors & lamentations: waiting oft beside the dewy grave She stood in silence, listning to the voices of the ground, Till to her own grave plot she came, & there she sat down. And heard this voice of sorrow breathed from the hollow pit.

Why cannot the Ear be closed to its own destruction? Or the glistening Eye to the poison of a smile! Why are Eyelids stord with arrows ready drawn, Where a thousand fighting men in ambush lie! Or an Eye of gifts & graces showring fruits & coined gold!

Why a Tongue impress'd with honey from every wind? Why an Ear, a whirlpool fierce to draw creations in?


Poems of William Blake
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

find that I am altogether holy. And so it is with the Church.

Holy Writ does not say that Christ was under the curse. It says directly that Christ was made a curse. In II Corinthians 5:21 Paul writes: "For he (God) hath made him (Christ) to be sin for us, who knew no sin; that we might be made the righteousness of God in him." Although this and similar passages may be properly explained by saying that Christ was made a sacrifice for the curse and for sin, yet in my judgment it is better to leave these passages stand as they read: Christ was made sin itself; Christ was made the curse itself. When a sinner gets wise to himself he does not only feel miserable, he feels like misery personified; he does not only feel like a sinner, he feels like sin itself.