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Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

glaring balefully at us, and listening to the ever-increasing volume of those seismic growls which seemed to rumble upward from the bowels of the earth, shaking the very cliffs beneath which we cowered, until at last I saw that the brute was again approaching the aperture. It availed me nothing that I piled the blaze high with firewood, until Ajor and I were near to roasting; on came that mighty engine of destruction until once again the hideous face yawned its fanged yawn directly within the barrier's opening. It stood thus a moment, and then the head was withdrawn. I breathed a sigh of relief, the thing had altered its intention and was going on in search of other and


The People That Time Forgot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

Events were rare which could rouse him to any show of spirit; but that day an event did happen which recalled the bright days of the harpooner. About eleven in the morning, being on the surface of the ocean, the Nautilus fell in with a troop of whales--an encounter which did not astonish me, knowing that these creatures, hunted to death, had taken refuge in high latitudes.

We were seated on the platform, with a quiet sea. The month of October in those latitudes gave us some lovely autumnal days. It was the Canadian-- he could not be mistaken--who signalled a whale on the eastern horizon. Looking attentively, one might see its black back rise and fall with the waves five miles from the Nautilus.


20,000 Leagues Under the Sea
The third excerpt represents the future or something you must embrace, and is drawn from The Breaking Point by Mary Roberts Rinehart:

Elizabeth's face growing a trifle fixed as three days went by without the shabby car rattling to the door; with "The Valley" playing its second and final week before going into New York; and with Leslie Ward unconsciously taking up the shuttle Clare had dropped, and carrying the pattern one degree further toward completion.

XIV

JUST how Leslie Ward had drifted into his innocuous affair with the star of "The Valley" he was not certain himself. Innocuous it certainly was. Afterwards, looking back, he was to wonder sometimes if it had not been precisely for the purpose it served. But that


The Breaking Point