| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Spirit of the Border by Zane Grey: the maiden whose love had saved him. Yet he thought he might succeed in
getting away with her, and planned to that end. His natural spirit, daring,
reckless, had gained while he was associated with Wetzel.
Meanwhile he mingled freely with the Indians, and here, as elsewhere, his
winning personality, combined with his athletic prowess, soon made him well
liked. He was even on friendly terms with Pipe. The swarthy war chief liked
Joe because, despite the animosity he had aroused in some former lovers of
Whispering Winds, he actually played jokes on them. In fact, Joe's pranks
raised many a storm; but the young braves who had been suitors for Wingenund's
lovely daughter, feared the muscular paleface, and the tribe's ridicule more;
so he continued his trickery unmolested. Joe's idea was to lead the savages to
 The Spirit of the Border |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Bronte Sisters: The blissful thoughts itself had given.
Domestic peace! best joy of earth,
When shall we all thy value learn?
White angel, to our sorrowing hearth,
Return--oh, graciously return!
THE THREE GUIDES. [First published in FRASER'S MAGAZINE.]
Spirit of Earth! thy hand is chill:
I've felt its icy clasp;
And, shuddering, I remember still
That stony-hearted grasp.
Thine eye bids love and joy depart:
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac: wooden cock that sprang out and crowed three times, an ingenious
contrivance by which the learned of that epoch were wont to be
awakened at the appointed hour to begin the labors of the day.
Through the windows there came already a flush of dawn. The
thing, composed of wood, and cords, and wheels, and pulleys, was
more faithful in its service than he in his duty to Bartolommeo--
he, a man with that peculiar piece of human mechanism within him
that we call a heart.
Don Juan the sceptic shut the flask again in the secret drawer in
the Gothic table--he meant to run no more risks of losing the
mysterious liquid.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac: slightest inequalities of her face, to count the blue veins which
threaded their way beneath the satiny skin. And that fresh, brisk
voice of silvery /timbre/, flexible as a thread to which the faintest
breath of air gives form, which it rolls and unrolls, tangles and
blows away, that voice attacked his heart so fiercely that he more
than once uttered an involuntary exclamation, extorted by the
convulsive ecstasy too rarely evoked by human passions. He was soon
obliged to leave the theatre. His trembling legs almost refused to
bear him. He was prostrated, weak, like a nervous man who has given
way to a terrible burst of anger. He had had such exquisite pleasure,
or perhaps had suffered so, that his life had flowed away like water
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