| The first excerpt represents the past or something you must release, and is drawn from The Two Noble Kinsmen by William Shakespeare: That after holy Tye and first nights stir
Yet still is Modestie, and still retaines
More of the maid to sight, than Husbands paines;
We pray our Play may be so; For I am sure
It has a noble Breeder, and a pure,
A learned, and a Poet never went
More famous yet twixt Po and silver Trent:
Chaucer (of all admir'd) the Story gives,
There constant to Eternity it lives.
If we let fall the Noblenesse of this,
And the first sound this child heare, be a hisse,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Montezuma's Daughter by H. Rider Haggard: to this end I sold my benefactor's house, with many of the effects,
at a price much below their worth. The most of the books and
plate, together with some other articles, I kept, and packing them
in cases, I caused them to be transported down the river to Cadiz,
to the care of those same agents to whom I had received letters
from the Yarmouth merchants.
This being done I followed thither myself, taking the bulk of my
fortune with me in gold, which I hid artfully in numerous packages.
And so it came to pass that after a stay of a year in Seville, I
turned my back on it for ever. My sojourn there had been
fortunate, for I came to it poor and left it a rich man, to say
 Montezuma's Daughter |
The third excerpt represents the future or something you must embrace, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson: road, and now, as we turned a corner, went off into the ghostly
distance, and sailed along the mountain like clouds. From time to
time a warm wind rustled down the valley, and set all the chestnuts
dangling their bunches of foliage and fruit; the ear was filled
with whispering music, and the shadows danced in tune. And next
moment the breeze had gone by, and in all the valley nothing moved
except our travelling feet. On the opposite slope, the monstrous
ribs and gullies of the mountain were faintly designed in the
moonshine; and high overhead, in some lone house, there burned one
lighted window, one square spark of red in the huge field of sad
nocturnal colouring.
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