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Today's Stichomancy for Neal Stephenson

The first excerpt represents the past or something you must release, and is drawn from The Art of Writing by Robert Louis Stevenson:

artist (so to speak) at the easel, and pass the afternoon with him in a generous emulation, making coloured drawings. On one of these occasions, I made the map of an island; it was elaborately and (I thought) beautifully coloured; the shape of it took my fancy beyond expression; it contained harbours that pleased me like sonnets; and with the unconsciousness of the predestined, I ticketed my performance 'Treasure Island.' I am told there are people who do not care for maps, and find it hard to believe. The names, the shapes of the woodlands, the courses of the roads and rivers, the prehistoric footsteps of man still distinctly traceable

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

they are well aware that, as a general rule, this person caricatured[25] does not belong to the People, or the masses. He is more likely to be some wealthy or well-born person, or man of means and influence. In fact, but few poor people and of the popular stamp incur the comic lash, or if they do they have brought it on themselves by excessive love of meddling or some covetous self-seeking at the expense of the People, so that no particular annoyance is felt at seeing such folk satirised.

[23] See Grote, "H. G." viii. 446, especially p. 449, "growth and development of comedy at Athens"; Curtius, "H. G." iii. pp. 242, 243; Thirlwall, "H. G." ch. xviii. vol. iii. p. 42.

The third excerpt represents the future or something you must embrace, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those


An Occurrence at Owl Creek Bridge