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Today's Stichomancy for Neil Gaiman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Laches by Plato:

whose whole life is passed in finding out and practising the arts which give them an advantage over other nations in war, would have discovered this one. And even if they had not, still these professors of the art would certainly not have failed to discover that of all the Hellenes the Lacedaemonians have the greatest interest in such matters, and that a master of the art who was honoured among them would be sure to make his fortune among other nations, just as a tragic poet would who is honoured among ourselves; which is the reason why he who fancies that he can write a tragedy does not go about itinerating in the neighbouring states, but rushes hither straight, and exhibits at Athens; and this is natural. Whereas I perceive that these fighters in armour regard Lacedaemon as a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Albert Savarus by Honore de Balzac:

la Prefecture.

Young Monsieur de Soulas could not possibly live without a tiger. This tiger was the son of one of his farmers, a small servant aged fourteen, thick-set, and named Babylas. The lion dressed his tiger very smartly--a short tunic-coat of iron-gray cloth, belted with patent leather, bright blue plush breeches, a red waistcoat, polished leather top-boots, a shiny hat with black lacing, and brass buttons with the arms of Soulas. Amedee gave this boy white cotton gloves and his washing, and thirty-six francs a month to keep himself--a sum that seemed enormous to the grisettes of Besancon: four hundred and twenty francs a year to a child of fifteen, without counting extras! The


Albert Savarus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac:

are written. Besides, he had that frank, good-humored expression which always impresses me favorably. He was without doubt one of those troopers who are surprised at nothing, who find matter for laughter in the contortions of a dying comrade, who bury or plunder him quite light-heartedly, who stand intrepidly in the way of bullets;--in fact, one of those men who waste no time in deliberation, and would not hesitate to make friends with the devil himself. After looking very attentively at the proprietor of the menagerie getting out of his box, my companion pursed up his lips with an air of mockery and contempt, with that peculiar and expressive twist which superior people assume to show they are not taken in. Then, when I was expatiating on the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

vagaries of his friends and acquaintances under the influence of love. He may sometimes look forward to it for himself with an incomprehensible expectation. But it is a subject in which neither intuition nor the behaviour of others will help the philosopher to the truth. There is probably nothing rightly thought or rightly written on this matter of love that is not a piece of the person's experience. I remember an anecdote of a well-known French theorist, who was debating a point eagerly in his CENACLE. It was objected against him that he had never experienced love. Whereupon he arose, left the society, and made it a point not to return to it until he considered that