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Today's Stichomancy for Neil Gaiman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

occasional stirring of the surface, or, as I have already said, by syringing and by keeping on a cover. A piece of muslin tied over will do; but a better defence is a plate of glass, raised on wire some half-inch above the edge, so as to admit the air. I am not sure that a sheet of brown paper laid over the vase is not the best of all, because that, by its shade, also guards against the next evil, which is heat. Against that you must guard by putting a curtain of muslin or oiled paper between the vase and the sun, if it be very fierce, or simply (for simple expedients are best) by laying a handkerchief over it till the heat is past. But if you leave your vase in a sunny window long enough to let the water get

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber:

and the autos, and the theater crowds and the windows, and--well, I'm back. Glad I went? You said it. Because it made me so darned glad to get back. I've found out one thing, and it's a great little lesson when you get it learned. Most of us are where we are because we belong there, and if we didn't, we wouldn't be. Say, that does sound mixed, don't it? But it's straight. Now you tell yours."

"I think you've said it all," began Guy Peel. "It's queer, isn't it, how twelve years of America will spoil one for afternoon tea, and yew trees, and tapestries, and lace caps, and roses. The mater was glad to see me, but she said I smelled woolly. They


Buttered Side Down
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Montezuma's Daughter by H. Rider Haggard:

Tezcat, god of gods, that we should sit at meat with you, or will you eat alone?'

'The gods like good company, prince,' I said.

Now during this talk I had discovered that among those gathered in the hall was the princess Otomie. So when we passed to the low table around which we were to sit on cushions, I hung back watching where she would place herself, and then at once seated myself beside her. This caused some little confusion among the company, for the place of honour had been prepared for me at the head of the table, the seat of Guatemoc being to my right and that of his wife, the royal Tecuichpo, to my left.


Montezuma's Daughter
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Enter.

Bot. I see their knauery; this is to make an asse of me, to fright me if they could; but I will not stirre from this place, do what they can. I will walke vp and downe here, and I will sing that they shall heare I am not afraid. The Woosell cocke, so blacke of hew, With Orenge-tawny bill. The Throstle, with his note so true, The Wren and little quill

Tyta. What Angell wakes me from my flowry bed? Bot. The Finch, the Sparrow, and the Larke,


A Midsummer Night's Dream