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Today's Stichomancy for Neil Gaiman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

deeply-set window, which threw the shadows of everything back into the house. There were high-backed chairs along the wall and big Eastern vases upon tables, and, on either side, a large cabinet with a glass front and little curiosities within, dimly gleaming. The doors were open--into the darkened parlor, the library, the dining-room. All these rooms seemed empty. Eugenia passed along, and stopped a moment on the threshold of each. "Comme c'est bien!" she murmured again; she had thought of just such a house as this when she decided to come to America. She opened the front door for herself--her light tread had summoned none of the servants--and on the threshold she gave a last look.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac:

Daniel d'Arthez. "The aristocracy has acknowledged her by retreating to the recesses of its landed estates, where it has hidden itself to die--emigrating inland before the march of ideas, as of old to foreign lands before that of the masses. The women who could have founded European /salons/, could have guided opinion and turned it inside out like a glove, could have ruled the world by ruling the men of art or of intellect who ought to have ruled it, have committed the blunder of abandoning their ground; they were ashamed of having to fight against the citizen class drunk with power, and rushing out on to the stage of the world, there to be cut to pieces perhaps by the barbarians who are at its heels. Hence, where the middle class insist on seeing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Arizona Nights by Stewart Edward White:

souls, had turned our judgment. Anyway, we left a full meal there in the beanpot. So without any further delay we set off up the ridge I had started to cross that morning. Schwartz lagged, sulky as a muley cow, but we managed to keep him with us. At the top of the ridge we took our bearings for the next deep bay. Already we had made up our minds to stick to the sea-coast, both on account of the lower country over which to travel and the off chance of falling in with a fishing vessel. Schwartz muttered something about its being too far even to the next bay, and wanted to sit down on a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

thing about the dying face was its incredible power. It was no ordinary spirit that wrestled there with Death. The eyes glared with strange fixity of gaze from the cavernous sockets hollowed by disease. It seemed as if Bartolommeo sought to kill some enemy sitting at the foot of his bed by the intent gaze of dying eyes. That steady remorseless look was the more appalling because the head that lay upon the pillow was passive and motionless as a skull upon a doctor's table. The outlines of the body, revealed by the coverlet, were no less rigid and stiff; he lay there as one dead, save for those eyes. There was something automatic about the moaning sounds that came from the mouth. Don Juan felt