The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London: in. Hear your canvas tearing, and see the black, square-ended
timbers thrusting holes through it. Smash! There goes your
topmast stay, and the topmast reels over drunkenly above you.
There is a ripping and crunching. If it continues, your starboard
shrouds will be torn out. Grab a rope--any rope--and take a turn
around a pile. But the free end of the rope is too short. You
can't make it fast, and you hold on and wildly yell for your one
companion to get a turn with another and longer rope. Hold on!
You hold on till you are purple in the face, till it seems your
arms are dragging out of their sockets, till the blood bursts from
the ends of your fingers. But you hold, and your partner gets the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Betty by Honore de Balzac: that I care about. Nay, to make it quite plain to you, I may add, if
it were only to set your mind at ease with regard to your marriage
contract, that I am now in a position which leaves me with nothing to
wish for--"
"Thanks to me!" exclaimed Crevel, whose face was purple.
"Thanks to Celestine's fortune," replied Victorin. "And if you regret
having given to your daughter as a present from yourself, a sum which
is not half what her mother left her, I can only say that we are
prepared to give it back."
"And do you not know, my respected son-in-law," said Crevel, striking
an attitude, "that under the shelter of my name Madame Marneffe is not
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