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Today's Stichomancy for Nellie McKay

The first excerpt represents the past or something you must release, and is drawn from Venus and Adonis by William Shakespeare:

A smile recures the wounding of a frown; But blessed bankrupt, that by love so thriveth! The silly boy, believing she is dead Claps her pale cheek, till clapping makes it red; 468

And all amaz'd brake off his late intent, For sharply he did think to reprehend her, Which cunning love did wittily prevent: Fair fall the wit that can so well defend her! 472 For on the grass she lies as she were slain Till his breath breatheth life in her again.

He wrings her nose, he strikes her on the cheeks,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Straight Deal by Owen Wister:

its moderation, when you consider that it was written in the midst of our Civil War, while loyal Americans were not only enraged with England, but wounded to the quick as well. When a man can do this--can have passionate convictions in passionate times, and yet keep his judgment unclouded, wise, and calm, he serves his country well.

I can remember the rage and the wound. In that atmosphere I began my existence. My childhood was steeped in it. In our house the London Punch was stopped, because of its hostile ridicule. I grew to boyhood hearing from my elders how England had for years taunted us with our tolerance of slavery while we boasted of being the Land of the Free--and then, when we arose to abolish slavery, how she "jack-knived" and gave aid and comfort

The third excerpt represents the future or something you must embrace, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

deceased) which had hardly quite subsided in a fortnight.

It may be remarked, however, that, of all the events which constitute a person's biography, there is scarcely one--none, certainly, of anything like a similar importance--to which the world so easily reconciles itself as to his death. In most other cases and contingencies, the individual is present among us, mixed up with the daily revolution of affairs, and affording a definite point for observation. At his decease, there is only a vacancy, and a momentary eddy,--very small, as compared with the apparent magnitude of the ingurgitated object,--and a bubble or two, ascending out of the black depth and bursting at the


House of Seven Gables