| The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum: danger it was. The answer to her question was not very
satisfactory, for it was only: "Ozma and Dorothy are
prisoners in the great Dome of the Isle of the
Skeezers, and the Dome is under the water of the lake."
"Hasn't Ozma the power to raise the island to the
surface?" inquired Glinda.
"No," was the reply, and the Record refused to say
more except that Queen Coo-ee-oh, who alone could
command the island to rise, had been transformed by the
Flathead Su-dic into a Diamond Swan.
Then Glinda consulted the past records of the
 Glinda of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Finished by H. Rider Haggard: know all the secrets of this land, that you may tell me in what
place I may hide where the white men cannot find me. It must be
told into my ear alone, since I dare not trust the matter to any
other, at any rate until I must. They are traitors every man of
them, yes, even those who seem to be most faithful. The fallen
man has no friends, least of all if he chances to be a king.
Only the dead will keep his counsel. Tell me of the place I
need."
"Dingaan, who was before you, once asked this same thing of me, O
King, when he was flying from Panda your father, and the Boers.
I gave him advice that he did not take, but sought a refuge of
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The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: belief, however, was connected (as I have previously hinted) with
the gray stones of the home of his forefathers. The conditions
of the sentience had been here, he imagined, fulfilled in the
method of collocation of these stones--in the order of their
arrangement, as well as in that of the many fungi which
overspread them, and of the decayed trees which stood around--
above all, in the long undisturbed endurance of this arrangement,
and in its reduplication in the still waters of the tarn. Its
evidence--the evidence of the sentience--was to be seen, he said,
(and I here started as he spoke,) in the gradual yet certain
condensation of an atmosphere of their own about the waters and
 The Fall of the House of Usher |