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Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

"I'm ill," he said, "I'm damnably ill! I can feel it in my skin!"

Then--it was horrible to me--he cried, "I ought to be in bed; I ought to be in bed... instead of flying about," and suddenly he burst into tears.

I stood up. "Go to sleep, man!" I said, and took the rug from him, and spread it out and rolled him up in it.

"It's all very well," he protested; "I'm not young enough--"

"Lift up your head," I interrupted, and put his knapsack under it.

"They'll catch us here, just as much as in an inn," he grumbled and then lay still.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Red Seal by Natalie Sumner Lincoln:

"I will be greatly obliged if you will do so," replied Kent, and straightening his tie, he went in quest of the pretty widow. He had found her a merry chatter-box in the past, possibly he could gain valuable information from her. He found Mrs. Brewster just completing her dance with a fine looking Italian officer whose broad breast bore many military decorations.

"Dance the encore with me" - Kent could be very persuasive when he wished, and Mrs. Brewster dimpled with pleasure, but there was a faint indecision in her manner which he was quick to note. What prompted it? He had been on friendly terms with her; in fact, she had openly championed his cause, so Barbara had once told him, when


The Red Seal
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

a literary occupation subservient to purposes of culture are not, save in rare cases, spared by the general turmoil. Those who have at once the ability, the taste, and the wealth needful for training themselves to the accomplishment of some many-sided and permanent work are of course very few. Nor have our universities yet provided themselves with the means for securing to literary talent the leisure which is essential to complete mental development, or to a high order of productiveness. Although in most industrial enterprises we know how to work together so successfully, in literature we have as yet no co-operation. We have not only no Paris, but we have not even a Tubingen, a


The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Faraday as a Discoverer by John Tyndall:

assistant.[1] Mr. Gassiot has lately favoured me with the following reminiscence of this time:--

'Clapham Common, Surrey, 'November 28, 1867.

'My Dear Tyndall,--Sir H. Davy was accustomed to call on the late Mr. Pepys, in the Poultry, on his way to the London Institution, of which Pepys was one of the original managers; the latter told me that on one occasion Sir H. Davy, showing him a letter, said: "Pepys, what am I to do, here is a letter from a young man named Faraday; he has been attending my lectures, and wants me to give him employment at the Royal Institution--what can I do?" "Do?" replied