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Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare:

But all in vain are these mean obsequies; And to survey his dead and earthy image, What were it but to make my sorrow greater?

[Re-enter WARWICK and others, bearing GLOSTER's body on a bed.]

WARWICK. Come hither, gracious sovereign, view this body.

KING. That is to see how deep my grave is made; For with his soul fled all my worldly solace, For seeing him I see my life in death.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

lived a long time with people who never spoke to them or looked at them: as though the silence of the place had gradually benumbed their busy inquisitive natures. And this strange passivity, this almost human lassitude, seemed to me sadder than the misery of starved and beaten animals. I should have liked to rouse them for a minute, to coax them into a game or a scamper; but the longer I looked into their fixed and weary eyes the more preposterous the idea became. With the windows of that house looking down on us, how could I have imagined such a thing? The dogs knew better: THEY knew what the house would tolerate and what it would not. I even fancied that they knew what was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oedipus Trilogy by Sophocles:

And as thou hearest judge what has become Of all those awe-inspiring oracles.

OEDIPUS Who is this man, and what his news for me?

JOCASTA He comes from Corinth and his message this: Thy father Polybus hath passed away.

OEDIPUS What? let me have it, stranger, from thy mouth.

MESSENGER If I must first make plain beyond a doubt


Oedipus Trilogy
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Foolish Virgin by Thomas Dixon:

she slowly recovered consciousness. She lay motionless for a long time and then slowly opened her eyes.

Thank God! They had not been gouged out as poor Ella's. She didn't mind the warm blood that soaked her collar and ran down her neck. If he would only spare her eyes. Blindness had been her one unspeakable terror. She closed her eyes again and silently prayed for strength. Her strength was gone. Wave after wave of sickening, cowardly terror swept her prostrate soul. She could feel his sullen presence--his body with its merciless strength towering above her. She dared not