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Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke:

the outlook flash upon one like a revelation.

The character of the woods through which we were now passing was entirely different from those of the lower levels. On these steep places the birch and maple will not grow, or at least they occur but sparsely. The higher slopes and sharp ridges of the mountains are always covered with soft-wood timber. Spruce and hemlock and balsam strike their roots among the rocks, and find a hidden nourishment. They stand close together; thickets of small trees spring up among the large ones; from year to year the great trunks are falling one across another, and the undergrowth is thickening around them, until a spruce forest seems to be almost impassable.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kenilworth by Walter Scott:

reprobate may scoff at things too holy to be apprehended by men merely of carnal and evil thoughts, yet believe that the city beheld by St. John, in that bright vision of the Christian Apocalypse, that new Jerusalem, of which all Christian men hope to partake, sets forth typically the discovery of the GRAND SECRET, whereby the most precious and perfect of nature's works are elicited out of her basest and most crude productions; just as the light and gaudy butterfly, the most beautiful child of the summer's breeze, breaks forth from the dungeon of a sordid chrysalis."

"Master Holdforth said nought of this exposition," said Foster


Kenilworth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wuthering Heights by Emily Bronte:

not altogether disapprovingly, a manual cheek given to her saucy tongue. The little wretch had done her utmost to hurt her cousin's sensitive though uncultivated feelings, and a physical argument was the only mode he had of balancing the account, and repaying its effects on the inflictor. He afterwards gathered the books and hurled them on the fire. I read in his countenance what anguish it was to offer that sacrifice to spleen. I fancied that as they consumed, he recalled the pleasure they had already imparted, and the triumph and ever-increasing pleasure he had anticipated from them; and I fancied I guessed the incitement to his secret studies also. He had been content with daily labour and rough animal


Wuthering Heights
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

past, which was apparently just that curate and almost incredibly jejune, but an ancestral past with all sorts of scandalous things in it: fire and slaughterings, exogamy, marriage by capture, corroborees, cannibalism! Ancestresses with perhaps dim anticipatory likenesses to her aunt, their hair less neatly done, no doubt, their manners and gestures as yet undisciplined, but still ancestresses in the direct line, must have danced through a brief and stirring life in the woady buff. Was there no echo anywhere in Miss Stanley's pacified brain? Those empty rooms, if they were empty, were the equivalents of astoundingly decorated predecessors. Perhaps it was just as well there was no inherited