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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

the ordeal. You'll notice that it looks as if Anthony (a brave man indubitably) had shirked it too. Little Fyne's flight of fancy picturing three people in the fatal four wheeler--you remember?-- went wide of the truth. There were only two people in the four wheeler. Flora did not shrink. Women can stand anything. The dear creatures have no imagination when it comes to solid facts of life. In sentimental regions--I won't say. It's another thing altogether. There they shrink from or rush to embrace ghosts of their own creation just the same as any fool-man would.

No. I suppose the girl Flora went on that errand reasonably. And then, why! This was the moment for which she had lived. It was her


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chouans by Honore de Balzac:

"Your power seems to have stopped there," remarked Corentin; "the fears of your /ci-devant/ are greater than the love you inspire."

"You judge him by yourself," she replied, with a contemptuous look.

"Well, then," said he, unmoved, "why did you not bring him here to your own house?"

"Commandant," she said to Hulot, with a coaxing smile, "if he really loves me, would you blame me for saving his life and getting him to leave France?"

The old soldier came quickly up to her, took her hand, and kissed it with a sort of enthusiasm. Then he looked at her fixedly and said in a gloomy tone: "You forget my two friends and my sixty-three men."


The Chouans
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Memorabilia by Xenophon:

unborn in providing them with things that he thinks will contribute to their well-being--and of these as large a store as possible. The woman, conceiving, bears her precious burthen with travail and pain, and at the risk of life itself--sharing with that within her womb the food on which she herself is fed. And when with much labour she has borne to the end and brought forth her offspring, she feeds it and watches over it with tender care--not in return for any good thing previously received, for indeed the babe itself is little conscious of its benefactor and cannot even signify its wants; only she, the mother, making conjecture of what is good for it, and what will please it, essays to satisfy it;[3] and for many months she feeds it night


The Memorabilia
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

and so impassable that doubt again possessed him. In the glow of the fire the small black hairs on the mole at the corner of her lip became white. It was Nana's very mole, down to the color of the hair. He could not refrain from whispering something about it in Vandeuvres's ear. Gad, it was true; the other had never noticed it before. And both men continued this comparison of Nana and the countess. They discovered a vague resemblance about the chin and the mouth, but the eyes were not at all alike. Then, too, Nana had a good-natured expression, while with the countess it was hard to decide--she might have been a cat, sleeping with claws withdrawn and paws stirred by a scarce-perceptible nervous quiver.