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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the past or something you must release, and is drawn from Summer by Edith Wharton:

gone. For a few minutes, in the clear light that is all shadow, fields and woods were outlined with an unreal precision; then the twilight blotted them out, and the little house turned gray and spectral under its wizened apple-branches.

Charity's heart contracted. The first fall of night after a day of radiance often gave her a sense of hidden menace: it was like looking out over the world as it would be when love had gone from it. She wondered if some day she would sit in that same place and watch in vain for her lover....

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Call of Cthulhu by H. P. Lovecraft:

absolute sincerity, for he spoke of the dreams in a manner none could mistake. They and their subconscious residuum had influenced his art profoundly, and he shewed me a morbid statue whose contours almost made me shake with the potency of its black suggestion. He could not recall having seen the original of this thing except in his own dream bas-relief, but the outlines had formed themselves insensibly under his hands. It was, no doubt, the giant shape he had raved of in delirium. That he really knew nothing of the hidden cult, save from what my uncle's relentless catechism had let fall, he soon made clear; and again I strove to think of some way in which he could possibly have received the weird impressions.


Call of Cthulhu
The third excerpt represents the future or something you must embrace, and is drawn from Hamlet by William Shakespeare:

To lacke discretion. Come, go we to the King, This must be knowne, being kept close might moue More greefe to hide, then hate to vtter loue.

Exeunt.

Scena Secunda.

Enter King, Queene, Rosincrane, and Guildensterne Cum alijs.

King. Welcome deere Rosincrance and Guildensterne. Moreouer, that we much did long to see you, The neede we haue to vse you, did prouoke Our hastie sending. Something haue you heard Of Hamlets transformation: so I call it,


Hamlet