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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the past or something you must release, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

makes us fastidious ones smile, we who find no small amusement in spying out the subtle tricks of old moralists and ethical preachers. Or, still more so, the hocus-pocus in mathematical form, by means of which Spinoza has, as it were, clad his philosophy in mail and mask--in fact, the "love of HIS wisdom," to translate the term fairly and squarely--in order thereby to strike terror at once into the heart of the assailant who should dare to cast a glance on that invincible maiden, that Pallas Athene:--how much of personal timidity and vulnerability does this masquerade of a sickly recluse betray!

6. It has gradually become clear to me what every great


Beyond Good and Evil
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Unsocial Socialist by George Bernard Shaw:

and speaking in a tone expressive of antipathy to Gracchus.

Agatha started and drew up her ankles, as if fearful of having them bitten. Then, looking apprehensively under the desk, she replied, "There is no cat here, Miss Ward."

"There is one somewhere; I heard it," said Miss Ward carelessly, unrolling her diagrams, which she began to explain without further parley. Mrs. Miller, anxious for her pet, hastened to seek it elsewhere. In the hall she met one of the housemaids.

"Susan," she said, "have you seen Gracchus?"

"He's asleep on the hearthrug in your room, ma'am. But I heard him crying down here a moment ago. I feel sure that another cat

The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry:

which she remained glued to the window sill, the vigi- lant avoidance of the instalment man, the tireless patronage of the acoustics of the dumb-waiter shaft - all the attributes of the Gotham flat-dweller were hers.

One moment yet of sententiousness and the story moves.

In the Big City large and sudden things happen. You round a corner and thrust the rib of your um- brella into the eye of your old friend from Kootenai Falls. You stroll out to pluck a Sweet William in the


The Voice of the City