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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

kept here are hanged, and the other three may not find us. Don't be afraid.--Is that a man that's galloping behind us? No; it's only a tree.--Don't be afraid.

MRS. HARDCASTLE. The fright will certainly kill me.

TONY. Do you see anything like a black hat moving behind the thicket?

MRS. HARDCASTLE. Oh, death!

TONY. No; it's only a cow. Don't be afraid, mamma; don't he afraid.

MRS. HARDCASTLE. As I'm alive, Tony, I see a man coming towards us. Ah! I'm sure on't. If he perceives us, we are undone.

TONY. (Aside.) Father-in-law, by all that's unlucky, come to take one of his night walks. (To her.) Ah, it's a highwayman with pistols as


She Stoops to Conquer
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

real regret that the author of the happiness is not with them to share the joy of living he died to give them. Upon all Barsoom there is no greater name than John Carter."

"And by what name has your mother called you, my boy?" I asked.

"The people of Helium asked that I be named with my father's name, but my mother said no, that you and she had chosen a name for me together, and that your wish must be honoured before all others, so the name that she called me is the one that you desired, a combination of hers and yours--Carthoris."


The Gods of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

still to reach the stage at which - beside the image of that other whom we love to contemplate and to adorn - we place the image of ourself and behold them together with delight.

She stood within the counter, her hands clasped behind her back, her shoulders pressed against the wall, her feet braced out. Her face was bright with the wind and her own thoughts; as a fire in a similar day of tempest glows and brightens on a hearth, so she seemed to glow, standing there, and to breathe out energy. It was the first time Ballantrae had visited that wine-seller's, the first time he had seen the wife; and his eyes were true to her.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dracula by Bram Stoker:

as the shadow of a cloud obscured St. Mary's Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view, and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favorite seat, the silver light of the moon struck a half-reclining figure, snowy white. The coming of the cloud was too quick for me to see much, for shadow shut down on light almost immediately, but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it. What it was, whether man or beast, I could not tell.

I did not wait to catch another glance, but flew down the steep steps to


Dracula