| The first excerpt represents the past or something you must release, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: makes us fastidious ones smile, we who find no small amusement in
spying out the subtle tricks of old moralists and ethical
preachers. Or, still more so, the hocus-pocus in mathematical
form, by means of which Spinoza has, as it were, clad his
philosophy in mail and mask--in fact, the "love of HIS wisdom,"
to translate the term fairly and squarely--in order thereby to
strike terror at once into the heart of the assailant who should
dare to cast a glance on that invincible maiden, that Pallas
Athene:--how much of personal timidity and vulnerability does
this masquerade of a sickly recluse betray!
6. It has gradually become clear to me what every great
 Beyond Good and Evil |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Unsocial Socialist by George Bernard Shaw: and speaking in a tone expressive of antipathy to Gracchus.
Agatha started and drew up her ankles, as if fearful of having
them bitten. Then, looking apprehensively under the desk, she
replied, "There is no cat here, Miss Ward."
"There is one somewhere; I heard it," said Miss Ward carelessly,
unrolling her diagrams, which she began to explain without
further parley. Mrs. Miller, anxious for her pet, hastened to
seek it elsewhere. In the hall she met one of the housemaids.
"Susan," she said, "have you seen Gracchus?"
"He's asleep on the hearthrug in your room, ma'am. But I heard
him crying down here a moment ago. I feel sure that another cat
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The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry: which she remained glued to the window sill, the vigi-
lant avoidance of the instalment man, the tireless
patronage of the acoustics of the dumb-waiter shaft
- all the attributes of the Gotham flat-dweller were
hers.
One moment yet of sententiousness and the story
moves.
In the Big City large and sudden things happen.
You round a corner and thrust the rib of your um-
brella into the eye of your old friend from Kootenai
Falls. You stroll out to pluck a Sweet William in the
 The Voice of the City |