| The first excerpt represents the past or something you must release, and is drawn from Lair of the White Worm by Bram Stoker: with the same trouble every season, knew how to deal with it. They
made a vast kite, which they caused to be flown over the centre spot
of the incursion. The kite was shaped like a great hawk; and the
moment it rose into the air the birds began to cower and seek
protection--and then to disappear. So long as that kite was flying
overhead the birds lay low and the crop was saved. Accordingly
Caswall ordered his men to construct an immense kite, adhering as
well as they could to the lines of a hawk. Then he and his men,
with a sufficiency of cord, began to fly it high overhead. The
experience of China was repeated. The moment the kite rose, the
birds hid or sought shelter. The following morning, the kite was
 Lair of the White Worm |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: For discussion of the results on this test among our pathological
liars we refer to our chapter on conclusions.
[7] ``Tests for Practical Mental Classification,'' by William
Healy and Grace M. Fernald, Monograph No. 54. Psychological
Review Pub. Co., 1911, Princeton University, Princeton, N. J.
The short summary of causative factors given at the end of the
case study deals only with the factors of delinquency. To avoid
misinterpretation of the coordinated facts, what they are focused
upon should ever be remembered. The statement of these
ascertained factors brings out many incidental points which
should be of interest to lawyers and other students of
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The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: of the sentience had been here, he imagined, fulfilled in the
method of collocation of these stones--in the order of their
arrangement, as well as in that of the many fungi which
overspread them, and of the decayed trees which stood around--
above all, in the long undisturbed endurance of this arrangement,
and in its reduplication in the still waters of the tarn. Its
evidence--the evidence of the sentience--was to be seen, he said,
(and I here started as he spoke,) in the gradual yet certain
condensation of an atmosphere of their own about the waters and
the walls. The result was discoverable, he added, in that
silent, yet importunate and terrible influence which for
 The Fall of the House of Usher |