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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

an old friend of yours, I believe? So she told me.--Ah, thanks--I don't seem to have one left." He lit Selden's proffered cigarette, and continued, in his high-pitched drawling tone: "None of my business, of course, but I didn't introduce her to the Duchess. Charming woman, the Duchess, you understand; and a very good friend of mine; but RATHER a liberal education."

Selden received this in silence, and after a few puffs Lord Hubert broke out again: "Sort of thing one can't communicate to the young lady--though young ladies nowadays are so competent to judge for themselves; but in this case--I'm an old friend too, you know . . . and there seemed no one else to speak to. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tom Sawyer Abroad by Mark Twain:

shinned down the ladder and fetched up the kid, which was a nice fat little thing, and in a noble good humor, too, considering it was just out of a battle and been tumbled off of a horse; and then we started for the mother, and stopped back of her and tolerable near by, and Jim slipped down and crept up easy, and when he was close back of her the child goo-goo'd, the way a child does, and she heard it, and whirled and fetched a shriek of joy, and made a jump for the kid and snatched it and hugged it, and dropped it and hugged Jim, and then snatched off a gold chain and hung it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Madame Firmiani by Honore de Balzac:

reader must have known the luxury of tears, must have felt the silent pangs of a passing memory, the vision of a dear yet far-off Shade,-- memories which bring regret for all that earth has swallowed up, with smiles for vanished joys.

And now, believe that the writer would not, for the wealth of England, steal from poesy a single lie with which to embellish this narrative. The following is a true history, on which you may safely spend the treasures of your sensibility--if you have any.

In these days the French language has as many idioms and represents as many idiosyncracies as there are varieties of men in the great family of France. It is extremely curious and amusing to listen to the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

and Whitie had recognized him.

"Hello, Venters! I'm makin' you a visit," said Lassiter, slowly. "An' I'm some surprised to see you've a--a young feller for company."

One glance had sufficed for the keen rider to read Bess's real sex, and for once his cool calm had deserted him. He stared till the white of Bess's cheeks flared into crimson. That, if it were needed, was the concluding evidence of her femininity, for it went fittingly with her sun-tinted hair and darkened, dilated eyes, the sweetness of her mouth, and the striking symmetry of her slender shape.


Riders of the Purple Sage