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Today's Stichomancy for Nick Cave

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:

more seemly, methinks, if yon Dumb man, who hath a sweet voice, would give us a song."

At these words a silence fell on all, and after a while the Blind man spoke again. Quoth he, "Thou dost surely jest when thou sayest that thou dost not understand such words. Answer me this: Hast thou ever fibbed a chouse quarrons in the Rome pad for the loure in his bung?"[4]

[4] I.E., in old beggar's cant, "beaten a man or gallant upon the highway for the money in his purse." Dakkar's ENGLISH VILLAINIES.

"Now out upon it," quoth Robin Hood testily, "an ye make sport of me by pattering such gibberish, it will be ill for you all, I tell you.


The Merry Adventures of Robin Hood
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

until I had your authorization; but I, Comte d'Esgrignon, was pressed for money, so I---- Come, come, your prosecution is a piece of revengeful spite. Forgery is defined by the law as an attempt to obtain any advantage which rightfully belongs to another. There is no forgery here, according to the letter of the Roman law, nor according to the spirit of modern jurisprudence (always from the point of a civil action, for we are not here concerned with the falsification of public or authentic documents). Between private individuals the essence of a forgery is the intent to defraud; where is it in this case? In what times are we living, gentlemen? Here is the President going away to balk a preliminary examination which ought to be over by

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

calling up the policeman who stood by the door.

Egon Langen's face was grey with pallor, his features were distorted, and yet there was the ghost of a smile on his lips as he saw his captors enter the door. He put his hand out, raised his handkerchief hastily and then a wild scream echoed through the room, a scream that ended in a ghastly groan.

"I have taken your bottle, you might as well give yourself up quietly," said Muller calmly, holding his revolver near Langen's face. The prisoner threw himself at the detective but was caught and overpowered by Amster and the policeman.

A quarter of an hour later the cabs drove back toward the city.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lucile by Owen Meredith:

And the deep-bosom'd lilac, emparadising The haunts where the blackbird and thrush flit and sing, The keenest eye could but have seen, and seen only, A circle of friends, minded not to leave lonely The bird on the bough, or the bee on the blossom; Conversing at ease in the garden's green bosom, Like those who, when Florence was yet in her glories, Cheated death and kill'd time with Boccaccian stories. But at length the long twilight more deeply grew shaded, And the fair night the rosy horizon invaded. And the bee in the blossom, the bird on the bough,