Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nick Lachey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The War in the Air by H. G. Wells:

infinitely peaceful and still. The heavy concussions of the distant guns and those incidental harmless pyrotechnics at the level of the clouds seemed to have as little to do with killing and force, terror and submission, as a salute at a naval review. Below, every point of vantage bristled with spectators, the roofs of the towering buildings, the public squares, the active ferry boats, and every favourable street intersection had its crowds: all the river piers were dense with people, the Battery Park was solid black with east-side population, and every position of advantage in Central Park and along Riverside Drive had its peculiar and characteristic assembly from the adjacent streets.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

opening door. I also found my mysterious adorer at the Italian opera- house; there he had a stall directly opposite to my box, where he could gaze at me in naive ecstasy--oh! it was pretty! On leaving either house I always found him planted in the lobby, motionless; he was elbowed and jostled, but he never moved. His eyes grew less brilliant if he saw me on the arm of some favorite. But not a word, not a letter, no demonstration. You must acknowledge that was in good taste. Sometimes, on getting home late at night, I found him sitting upon one of the stone posts of the porte-cochere. This lover of mine had very handsome eyes, a long, thick, fan-shaped beard, with a moustache and side-whiskers; nothing could be seen of his skin but his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Commission in Lunacy by Honore de Balzac:

benches like those seen in schools, a clumsy cupboard, a walnut-wood writing-table, and an armchair. In the cupboard were his registers of donations, his tickets for orders for bread, and his diary. He kept his ledger like a tradesman, that he might not be ruined by kindness. All the sorrows of the neighborhood were entered and numbered in a book, where each had its little account, as merchants' customers have theirs. When there was any question as to a man or a family needing help, the lawyer could always command information from the police.

Lavienne, a man made for his master, was his aide-de-camp. He redeemed or renewed pawn-tickets, and visited the districts most threatened with famine, while his master was in court.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from I Have A Dream by Martin Luther King, Jr.:

never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.

I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow