Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nick Nolte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato:

added to any other part until it has reached the last and become one whole; it will be wanting neither to the middle, nor to the first, nor to the last, nor to any of them, while the process of becoming is going on?

True.

Then the one is of the same age with all the others, so that if the one itself does not contradict its own nature, it will be neither prior nor posterior to the others, but simultaneous; and according to this argument the one will be neither older nor younger than the others, nor the others than the one, but according to the previous argument the one will be older and younger than the others and the others than the one.

Certainly.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

"It is a jest," said he, but his accents lacked conviction.

"It is the truth," Ruth assured him quietly.

"The truth?" His brow darkened ominously - stupendously for one so fair. "The truth, you baggage...?" He began and stopped in very fury.

She saw that she must tell him all.

"I promised to wed Mr. Wilding this day se'night so that he saved your life and honour," she told him calmly, and added, "It was a bargain that we drove." Richard continued to stare at her. The thing she told him was too big to be swallowed at a mouthful; he was absorbing it by slow degrees.

"So now," said Diana, "you know the sacrifice your sister has made to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

portentous that I have to mingle with my statecraft if my picture is to be true which has turned me at length from a treatise to the telling of my own story. In my life I have paralleled very closely the slow realisations that are going on in the world about me. I began life ignoring women, they came to me at first perplexing and dishonouring; only very slowly and very late in my life and after misadventure, did I gauge the power and beauty of the love of man and woman and learnt how it must needs frame a justifiable vision of the ordered world. Love has brought me to disaster, because my career had been planned regardless of its possibility and value. But Machiavelli, it seems to me, when he went into his study, left

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the World Shook by H. Rider Haggard:

"I meant physically, not intellectually. Arbuthnot, do you mean to tell me that you did not recognise your own double in that man? Shave off your beard and put on his clothes and no one could distinguish you apart."

I sprang up, dropping my pipe.

"Now you mention it," I said slowly, "I suppose there was a resemblance. I didn't look at him very much; I was studying the simulacrum of Yva. Also, you know it is some time since--I mean, there are no pier-glasses in Orofena."

"The man was you," went on Bickley with conviction. "If I were superstitious I should think it a queer sort of omen. But as I am


When the World Shook