| The first excerpt represents the past or something you must release, and is drawn from The Monster Men by Edgar Rice Burroughs: to accompany him in his seemingly futile search for the
girl who had disappeared so mysteriously after he had
rescued her from the ourang outangs.
Both Number Twelve and Number Three had assured him
that the beasts had not recaptured her, for they had
seen the entire band flee madly through the jungle
after hearing the report of the single shot which had
so terrorized Bulan's antagonists. Bulan did not know
what to make of this occurrence which he had not
himself heard, the shot having come after he had lost
consciousness at the foot of the tree; but from the
 The Monster Men |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Just Folks by Edgar A. Guest: Dreaming there by the open grate.
Improvement
The joy of life is living it, or so it seems to me;
In finding shackles on your wrists, then struggling till you're free;
In seeing wrongs and righting them, in dreaming splendid dreams,
Then toiling till the vision is as real as moving streams.
The happiest mortal on the earth is he who ends his day
By leaving better than he found to bloom along the way.
Were all things perfect here there would be naught for man to do;
If what is old were good enough we'd never need the new.
The only happy time of rest is that which follows strife
 Just Folks |
The third excerpt represents the future or something you must embrace, and is drawn from Anna Karenina by Leo Tolstoy: Princess Marya Borissovna, and more than that, to do so in such a
way that everything to the faintest intonation and smile would
have been approved by her husband, whose unseen presence she
seemed to feel about her at that instant.
She said a few words to him, even smiled serenely at his joke
about the elections, which he called "our parliament." (She had
to smile to show she saw the joke.) But she turned away
immediately to Princess Marya Borissovna, and did not once glance
at him till he got up to go; then she looked at him, but
evidently only because it would be uncivil not to look at a man
when he is saying good-bye.
 Anna Karenina |