| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tono Bungay by H. G. Wells: place. One went with an intent rush across the market square,
one took one's exercise with as dramatic a sense of an ordered
day as an Oxford don, one burnt the midnight oil quite
consciously at the rare respectful, benighted passer-by. And
one stood out finely in the local paper with one's unapproachable
yearly harvest of certificates. Thus I was not only a genuinely
keen student, but also a little of a prig and poseur in those
days--and the latter kept the former at it, as London made clear.
Moreover Wimblehurst had given me no outlet in any other
direction.
But I did not realise all this when I came to London, did not
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dracula by Bram Stoker: Poor dear old man!
Lucy is so sweet and sensitive that she feels influences more acutely
than other people do. Just now she was quite upset by a little thing
which I did not much heed, though I am myself very fond of animals.
One of the men who came up here often to look for the boats was
followed by his dog. The dog is always with him. They are both
quiet persons, and I never saw the man angry, nor heard the dog bark.
During the service the dog would not come to its master, who was on
the seat with us, but kept a few yards off, barking and howling.
Its master spoke to it gently, and then harshly, and then angrily.
But it would neither come nor cease to make a noise. It was in a fury,
 Dracula |