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Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

Seldom did a female of their hereditary enemies fall to the lot of a green man. Thar Ban licked his thin lips.

Thuvia of Ptarth watched the shadow behind the monolith at the opening to the avenue opposite her. She hoped that it might be but the figment of an overwrought imagination.

But no! Now, clearly and distinctly, she saw it move. It came from behind the screening shelter of the ersite shaft.

The sudden light of the rising sun fell upon it. The girl trembled. The THING was a huge green warrior!

Swiftly it sprang toward her. She screamed and tried to flee; but she had scarce turned toward the palace when


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

mere aggressive and acquisitive individual with no sense of the State, no habitual loyalty, no devotion, no code of honour, no code even of courage. Now by a curious accident he found himself lifted out of his marvellous modern world for a time, out of all the rush and confused appeals of it, and floating like a thing dead and disembodied between sea and sky. It was as if Heaven was experimenting with him, had picked him out as a sample from the English millions, to look at him more nearly, and to see what was happening to the soul of man. But what Heaven made of him in that case I cannot profess to imagine, for I have long since abandoned all theories about the ideals and satisfactions of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tono Bungay by H. G. Wells:

place. One went with an intent rush across the market square, one took one's exercise with as dramatic a sense of an ordered day as an Oxford don, one burnt the midnight oil quite consciously at the rare respectful, benighted passer-by. And one stood out finely in the local paper with one's unapproachable yearly harvest of certificates. Thus I was not only a genuinely keen student, but also a little of a prig and poseur in those days--and the latter kept the former at it, as London made clear.

Moreover Wimblehurst had given me no outlet in any other direction.

But I did not realise all this when I came to London, did not

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dracula by Bram Stoker:

Poor dear old man!

Lucy is so sweet and sensitive that she feels influences more acutely than other people do. Just now she was quite upset by a little thing which I did not much heed, though I am myself very fond of animals.

One of the men who came up here often to look for the boats was followed by his dog. The dog is always with him. They are both quiet persons, and I never saw the man angry, nor heard the dog bark. During the service the dog would not come to its master, who was on the seat with us, but kept a few yards off, barking and howling. Its master spoke to it gently, and then harshly, and then angrily. But it would neither come nor cease to make a noise. It was in a fury,


Dracula