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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

inferring was that the girl might in some way have estranged him. Well, if he had taken the turn of jealousy for instance it could scarcely be jealousy of me. In that case - over and above the absurdity of it - he wouldn't have gone away just to leave us together. For some time before his going we had indulged in no allusion to the buried treasure, and from his silence, which my reserve simply emulated, I had drawn a sharp conclusion. His courage had dropped, his ardour had gone the way of mine - this appearance at least he left me to scan. More than that he couldn't do; he couldn't face the triumph with which I might have greeted an explicit admission. He needn't have been afraid, poor dear, for I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mucker by Edgar Rice Burroughs:

any man as goes below there. It's easier, an' safer, to starve him out."

"Starve nothin'," shrieked Skipper Simms. "Do you reckon I'm a-goin' to sit quiet here for a week an' let any blanked wharf rat own that there fo'c's'le just because I got a lot o' white-livered cowards aboard? No sir! You're a-goin' down after that would-be bad man an' fetch him up dead or alive," and with that he started menacingly toward the three who stood near the hatch, holding their firearms safely out of range of Billy Byrne below.

What would have happened had Skipper Simms completed


The Mucker
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lucile by Owen Meredith:

Down the mountain the carriage was speeding.

X.

His heart Peal'd the knell of its last hope. He rush'd on; but whither He knew not--on, into the dark cloudy weather-- The midnight--the mountains--on, over the shelf Of the precipice--on, still--away from himself! Till exhausted, he sank 'mid the dead leaves and moss At the mouth of the forest. A glimmering cross Of gray stone stood for prayer by the woodside. He sank Prayerless, powerless, down at its base, 'mid the dank

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Coxon Fund by Henry James:

efforts--often tremendous ones. "But the efforts," I said, "never come to much: the only things that come to much are the abandonments, the surrenders."

"And how much do they come to?"

"You're right to put it as if we had a big bill to pay, but, as I've told you before, your questions are rather terrible. They come, these mere exercises of genius, to a great sum total of poetry, of philosophy, a mighty mass of speculation, notation, quotation. The genius is there, you see, to meet the surrender; but there's no genius to support the defence."

"But what is there, after all, at his age, to show?"