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Today's Stichomancy for Nikola Tesla

The first excerpt represents the past or something you must release, and is drawn from The Emerald City of Oz by L. Frank Baum:

That evening Dorothy had many callers, and among them were such important people as Tiktok, a machine man who thought and spoke and moved by clockwork; her old companion the genial Shaggy Man; Jack Pumpkinhead, whose body was brush-wood and whose head was a ripe pumpkin with a face carved upon it; the Cowardly Lion and the Hungry Tiger, two great beasts from the forest, who served Princess Ozma, and Professor H. M. Wogglebug, T.E. This wogglebug was a remarkable creature. He had once been a tiny little bug, crawling around in a school-room, but he was discovered and highly magnified so that he could be seen more plainly, and while in this magnified condition he had escaped. He had always remained big, and he dressed like a dandy


The Emerald City of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tao Teh King by Lao-tze:

does not cut his own hands!

75. 1. The people suffer from famine because of the multitude of taxes consumed by their superiors. It is through this that they suffer famine.

2. The people are difficult to govern because of the (excessive) agency of their superiors (in governing them). It is through this that they are difficult to govern.

3. The people make light of dying because of the greatness of their labours in seeking for the means of living. It is this which makes them think light of dying. Thus it is that to leave the subject of living altogether out of view is better than to set a high value on

The third excerpt represents the future or something you must embrace, and is drawn from The Hidden Masterpiece by Honore de Balzac:

Frenhofer," said Porbus, "could you order up a little of your good Rhine wine for me?"

"Two casks," answered the host; "one to pay for the pleasure of looking at your pretty sinner this morning, and the other as a mark of friendship."

"Ah! if I were not so feeble," resumed Porbus, "and if you would consent to let me see your Beautiful Nut-girl, I too could paint some lofty picture, grand and yet profound, where the forms should have the living life."

"Show my work!" exclaimed the old man, with deep emotion. "No, no! I have still to bring it to perfection. Yesterday, towards evening, I