| The first excerpt represents the past or something you must release, and is drawn from The Voice of the City by O. Henry: eating gum-drops, came and looked freezingly at him
across the ice-bound steppes of the counter.
"Say, lady," he said, "have you got a song book
with this in it. Let's see bow it leads off --
"When the springtime comes well wander in the dale, love,
And whisper of those days of yore -- "
"I'm having a friend," explained Mr. McQuirk,
"laid up with a broken leg, and he sent me after
it. He's a devil for songs and poetry when he can't
get out to drink."
 The Voice of the City |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Through the Looking-Glass by Lewis Carroll: But answer came there none--
And that was scarcely odd, because
They'd eaten every one.'
`I like the Walrus best,' said Alice: `because you see he was
a LITTLE sorry for the poor oysters.'
`He ate more than the Carpenter, though,' said Tweedledee.
`You see he held his handkerchief in front, so that the Carpenter
couldn't count how many he took: contrariwise.'
`That was mean!' Alice said indignantly. `Then I like the
Carpenter best--if he didn't eat so many as the Walrus.'
`But he ate as many as he could get,' said Tweedledum.
 Through the Looking-Glass |
The third excerpt represents the future or something you must embrace, and is drawn from Beast in the Jungle by Henry James: it made every minute of the day existed quite independently of
discussion. One discussed of course LIKE a hunchback, for there
was always, if nothing else, the hunchback face. That remained,
and she was watching him; but people watched best, as a general
thing, in silence, so that such would be predominantly the manner
of their vigil. Yet he didn't want, at the same time, to be tense
and solemn; tense and solemn was what he imagined he too much
showed for with other people. The thing to be, with the one person
who knew, was easy and natural--to make the reference rather than
be seeming to avoid it, to avoid it rather than be seeming to make
it, and to keep it, in any case, familiar, facetious even, rather
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