The first excerpt represents the past or something you must release, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: Her tongue was very apt to teach,
And now and then he did beseech
She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.
She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.
Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: and places were omitted, and especially if sent out of the country,
I think you might take the responsibility and do it.
It is a wonderful letter, which no Christian genius, much less
one unsanctified, could ever have written. As showing the work
of grace in a human heart, and in a very degraded and wicked one,
it proves its own origin and reproves our weak faith in its power
to cope with any form of wickedness.
'Mr. Brown' of St. Louis, some one said, was a Hartford man.
Do all whom you send from Hartford serve their Master as well?
P.S.--Williams is still in the State's prison, serving out a
long sentence--of nine years, I think. He has been sick and threatened
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The third excerpt represents the future or something you must embrace, and is drawn from Charmides and Other Poems by Oscar Wilde: And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
SONNETS
HELAS!
To drift with every passion till my soul
Is a stringed lute on which can winds can play,
Is it for this that I have given away
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