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Today's Stichomancy for Oliver Stone

The first excerpt represents the past or something you must release, and is drawn from The Brother of Daphne by Dornford Yates:

know what they are."

George looked at me critically. Then:

"That's a good hat," he said. "I'd like to paint you just as you are." He stepped back and half closed his eyes. "Yes,that'll do. When can you come? I always said I would, you know," he added.

"You're very good, George. Come to the club and- "

He shook his head. "We'll talk, when you come. I've got to go to Richmond now." He pointed to the air-ball. "There was a child there yesterday, playing in the Park, with eyes- I've only seen their like once before. That was in Oporto." He sighed.


The Brother of Daphne
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gulliver's Travels by Jonathan Swift:

court for me and my interpreter; with a daily allowance for my table, and a large purse of gold for my common expenses.

I staid three months in this country, out of perfect obedience to his majesty; who was pleased highly to favour me, and made me very honourable offers. But I thought it more consistent with prudence and justice to pass the remainder of my days with my wife and family.

CHAPTER X.

[The Luggnaggians commended. A particular description of the Struldbrugs, with many conversations between the author and some eminent persons upon that subject.]


Gulliver's Travels
The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac:

lullaby. Canalis, like Nodier, enchants the reader by an artlessness which is genuine in the prose writer and artificial in the poet, by his tact, his smile, the shedding of his rose-leaves, in short by his infantile philosophy. He imitates so well the language of our early youth that he leads us back to the prairie-land of our illusions. We can be pitiless to the eagles, requiring from them the quality of the diamond, incorruptible perfection; but as for Canalis, we take him for what he is and let the rest go. He seems a good fellow; the affectations of the angelic school have answered his purpose and succeeded, just as a woman succeeds when she plays the ingenue cleverly, and simulates surprise, youth, innocence betrayed, in short,


Modeste Mignon