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Today's Stichomancy for Oprah Winfrey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato:

a speech--in this he yields the palm to Protagoras: but I should be greatly surprised if he yielded to any living man in the power of holding and apprehending an argument. Now if Protagoras will make a similar admission, and confess that he is inferior to Socrates in argumentative skill, that is enough for Socrates; but if he claims a superiority in argument as well, let him ask and answer--not, when a question is asked, slipping away from the point, and instead of answering, making a speech at such length that most of his hearers forget the question at issue (not that Socrates is likely to forget--I will be bound for that, although he may pretend in fun that he has a bad memory). And Socrates appears to me to be more in the right than Protagoras; that is my view, and every man ought to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salome by Oscar Wilde:

royaume. N'est-ce pas qu'elle serait tres belle comme reine? . . . Ah! il fait froid ici! il y a un vent tres froid, et j'entends . . . pourquoi est-ce que j'entends dans l'air ce battement d'ailes? Oh! on dirait qu'il y a un oiseau, un grand oiseau noir, qui plane sur la terrasse. Pourquoi est-ce que je ne peux pas le voir, cet oiseau? Le battement de ses ailes est terrible. Le vent qui vient de ses ailes est terrible. C'est un vent froid . . . Mais non, il ne fait pas froid du tout. Au contraire, il fait tres chaud. Il fait trop chaud. J'etouffe. Versez-moi l'eau sur les mains. Donnez-moi de la neige e manger. Degrafez mon manteau. Vite, vite, degrafez mon manteau . . . Non. Laissez-le. C'est ma couronne qui

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

tall tower at Westminster, and at each stroke of the sonorous bell the night seemed to tremble. Then the railway lights went out, one solitary lamp left gleaming like a large ruby on a giant mast, and the roar of the city became fainter.

At two o'clock he got up, and strolled towards Blackfriars. How unreal everything looked! How like a strange dream! The houses on the other side of the river seemed built out of darkness. One would have said that silver and shadow had fashioned the world anew. The huge dome of St. Paul's loomed like a bubble through the dusky air.

As he approached Cleopatra's Needle he saw a man leaning over the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac:

her departure from Nantes, about nine o'clock of a Monday night, a kind old conductor of the Messageries-royales, took Pierrette by the hand, and while the porters were discharging in the Grand'Rue the packages and passengers for Provins, he led the little girl, whose only baggage was a bundle containing two dresses, two chemises, and two pairs of stockings, to Mademoiselle Rogron's house, which was pointed out to him by the director at the coach office.

"Good-evening, mademoiselle and the rest of the company. I've brought you a cousin, and here she is; and a nice little girl too, upon my word. You have forty-seven francs to pay me, and sign my book."

Mademoiselle Sylvie and her brother were dumb with pleasure and